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A final prom ... A final
band concert ... A few reunions with childhood classmates ... Final
exams ... Graduation ... A houseful of visiting relatives ... An all night lock-in
party ... Exciting stuff going on around here!
Yet my son's head is filled
with one thing ... Star Wars.
In hindsight, I wish I had
thought, at the age of eighteen, to
write about this special yet fleeting time. But like most teenagers, I
wasn't interested in savoring my last moments of high school; I was interested in getting the heck out.
My son is no different. On to the next rung in the
ladder, which for him is filmmaking! So naturally, George Lucas is far
more fascinating than the chemistry teacher who introduced him to the
Bunsen burner, or the band director who taught him to march and blow at
the same time.
If I were the obsessive type, I guess I could've followed him around in
the halls and written a journal for him. But he would've disowned me,
and I would've felt pretty silly when the principal asked me to
leave the premises. Oh well. I'm sure that sharp detail-oriented brain
has retained the important stuff. And if he ever decides one day to make
a film about high school, he can pull out all those memories and ...
maybe ask me to write the script?
FOR
YOUR RESEARCH ~ Journalism The
Journalist's Toolbox is an outstanding
resource for all your fact-finding needs.
The
Art of Asking Questions.Learn vital tips for pulling
off the perfect interview from pros such as Bob Schieffer.
Finally,
your
temporary Freedom
From Toil is here.
Read your favorite SF/F, Bedtime and Classic books in ultra-condensed
form. I think my favorite is Hemingway's The Snows of Kilimanjaro.
What a hoot!
SPECIAL
NOTE: Effective June 1, the bi-monthly VERB will switch to a monthly
schedule for the summer, arriving in your mailbox on the last Monday of
each month. This will allow us more time to devote to our
clients and our own writings. But don't think we won't be
around. No matter the day or time, you'll always find someone here to help you!
Now, without further
ado ... let the action begin!
Elizabeth Guy
Editor
The VERB
is published every
other Monday. It
is sent exclusively
to those who
requested and
confirmed a
subscription. To
manage yours,
please scroll down
to the bottom of
this ezine.
This issue was
published
under the
musical influence of
My "desk" is my attaché case
and suitcase. I fly more than 4,000 miles/week speaking. I am
home for just 1-2 days each week. So my situation is different
from most writers.
We are highly computerized.
About all I have within reach of my desk
is a folder with my IDs/Passwords, an Area Code list and some
other lists and notes. On the desk is a (full) in-basket. :)
On the road, I rely on my Pocket PC for my
address book, calendar, email, web surfing, United schedules and
reading eBooks.
That is about it.
Dan
Poynter is an author of more than 100 books, has been a
publisher since 1969 and is a Certified Speaking Professional (CSP).
He is an evangelist for books, an ombudsman for authors, an
advocate for publishers and the godfather to thousands of
successfully-published books. His seminars have been featured on
CNN, his books have been pictured in The Wall Street Journal and
his story has been told in US News & World Report. The media
come to Dan because he is the leading authority on book
publishing. Dan travels more than 4,000 miles each week to
share, inspire and empower people through keynotes and seminars.
Correspondents means those
who contribute news to a publication, radio or television network from a
distant place.
"Where'd your correspondents go, Murphy?
Mars?"
Correspondence means communication
by letters. "Her correspondence has been hostile,
to say the least."
When I worked at WPGC,
I worked Sunday afternoons my first few months there, and there was nobody
else at the station except a high school girl who answered phones and took
down people's addresses. We used to have these commercials where we were
selling records and re-built vacuum cleaners, and people would call in. It
was called a PI deal, a per inquiry deal. The station was paid by the
number of inquiries they received. They would not let her do the news.
They said [to me], "You've got to do the news on the hour." So I had
been working on this system in college, anyway, where I would wear a pair
of earphones and listen to someone reading the news; and I would repeat it
about a half a sentence behind them just as a court reporter does with a steno mask
machine. I had worked out this system where I found another
station that used the same wire service and had sold the time check on the
hour, and they always started their news on time. So I would just
back-time myself to come out the same time they were; and I'd put on my
earphones and listen to this guy read the news; and I'd follow him
substituting my callletters
wherever his were given; and it was perfectly okay because I was reading
the same copy that we would be getting on our wire service anyway. I got
fairly proficient at this.
Then one Sunday I put on my
earphones ready for the news, and I heard, "From Long Beach
California, the Old Fashioned Revival Hour is on the air!" Well,
they had sold the time; and I didn't know it; and so there I stood with
egg all over my face and rattled my pages and said, "Due to technical
difficulties," which is the big out, "our teletype machine is
not working properly, and we will be unable to bring you the news at this
time."
And that ended my illustrious news career.
Ed is one
half of the radio team, The Joy Boys. He and Willard Scott entertained
Washington DC listeners on WRC radio from 1955 to 1972. Visit
their exceptional website.
Ed is
also the host of WAMU 88.5 FM's longest-running program, The Big
Broadcast, each Sunday night at 7 PM. He offers listeners priceless
recordings of popular radio programs from the 30s, 40s and 50s. Listen
online.
"I edited
both newspapers and magazines, some of them successes and some
of them not, and got a close, confidential view of the manner in
which opinion is formulated and merchanted on this earth. ...
Like any other man I have had my disasters and my miseries, and
like any other author I have suffered from recurrent depressions
and despairs, but taking one year with another I have had a fine
time of it ... and no call to envy any man. "
~ Henry
Louis Mencken was born in Baltimore, Maryland.
~ Both his
parents were children of German immigrants. His
paternal grandfather had settled in the German
section of Baltimore, making cigars. His father eventually started his own
tobacco firm, providing a comfortable home for Henry
and his younger two brothers and sister.
~ Christmas
1888, Mencken received a Dorman's Baltimore No.10 Self-Inker
Printing Press. While learning to set up the boy's press, he
accidentally smashed the lower case "r's," forcing him
to reduce his first two names to H.L.
~ At
age nine, a library opened down the street from his house.
There,
he discovered Mark Twain's Huckleberry Finn. That was, as
he put it, “probably the most stupendous event in my whole
life.”
~ Mencken
finished his studies at the Baltimore Polytechnic Institute when
he was fifteen. He then went to work in his father's cigar
factory, but he hated it. In private, he wrote and wrote. Following
his father's death in 1899, he applied for a job at the Baltimore
Morning Herald.
~ Mencken soon
gained a reputation as a boy wonder, learning all there was to
learn about a newspaper. He advanced with alarming speed,
becoming city editor and managing editor of the Herald.
When the Herald folded in 1906, Mencken went to the Sunpapers
as Sunday editor.
~ The
scope of Mencken's writings was broad. With cigar jammed in the
side of his mouth, he satirized the American South after the
Scopes Monkey trial, criticized American democracy, joked about
Prohibition, challenged the place of women in society and
advocated free speech. Known as the "Sage of
Baltimore," he became a general critic and commentator on
all facets of American society.
~ In 1914
Mencken joined up with drama critic George Jean Nathan and
co-edited The Smart Set magazine. It
became so popular, copies were sold in movie theaters to
entertain the audience until the feature was shown.
~ With Nathan,
he cofounded several pulp magazines and American
Mercury, a successful and influential magazine of the 20s.
During this time, he also published The American Language,
a guide to American expressions and idioms.
~ Mencken became a literary adviser at Knopf Publishers. He published
manuscripts by young writers Eugene O'Neill and Dorothy Parker,
reviewed works of Upton Sinclair, Henry James and F. Scott
Fitzgerald.
~ Mencken
regularly contributed to the Chicago
Tribune, New York American and the Nation. He
was a columnist in Evening Mail in New York and 'The Free
Lance' in Sunpapers in Baltimore.
~
In 1930, the confirmed bachelor married Sara Haardt, an English
teacher at Goucher College. They moved into an apartment on
Cathedral Street in Baltimore. Five years later, she died of
tuberculosis. Mencken moved back to his beloved
three-story, red brick row house at 1524 Hollins Street.
~ A
prolific writer, he also collected quotations. In 1942 he
published A New Dictionary of Quotations. It is organized
by subject, instead of author, allowing the reader to find
all familiar sayings by topic. Mencken didn't
include his sayings in the book, but several attributed
to "Writer unidentified" suspiciously sound like Mencken.
~ On November
28, 1948, Mencken picked up a manuscript from his
secretary's apartment, and suffered a stroke. While he regained
his physical capabilities, he lost the ability to read and had difficulty speaking.
~ Two months
later, Mencken died in his
sleep. His ashes were buried near his parents and his wife at
Loudon Park Cemetery in Baltimore.
~ Mencken
wrote--according to some estimations--3,000 newspaper columns.
During the 15-year period following World War I, he set the
standard for satire in his day, and his essays are still widely
read.
Newspaper stories almost
always follow a specific, time-honored structure: the ending comes first.
That is, all the important details of a story are presented at the
beginning. This allows editors the freedom to cut from the bottom
if space is lacking, and readers the chance to scan the first
paragraph for a summary of the news. The technique is
called the inverted pyramid, and every self-respecting journalist is
familiar with it.
Make sure then, before your character
reads that article verbatim, your fictional
journalist is familiar with it too.
EXAMPLE
"Read the paper yet?" Zack asked.
Emily groaned. "Give me a break, I just got up."
"Listen to this. 'A message was found on the bathroom wall of
Fort Wagner High School yesterday. It was a threat that they were
going to bring a gun to school. John Fenton, superintendent, said
the handwriting was similar to what was found on his garage in May.
A fifteen year old female student has been arrested.'"
Emily looked up from her coffee. "Amy?"
"None other."
CLEANED UP
"Read the paper yet?" Zack asked.
Emily groaned. "Give me a break, I just got up."
"Listen to this. 'Montgomery police on Monday took into
custody a 15-year-old female Fort Wagner High School student for
writing a death threat on the bathroom wall.'"
Emily looked up from her coffee. "Amy?"
"None other."
EXAMPLE Stan shot back to the hotel room, ready to howl. "We're free as
birds!"
"What'd you hear?" Frannie asked, snuffing out a butt. "And don't
you try to lie to me, Stanley R. Watson, just to make me feel
better."
"It's in the paper, sweetie." He plopped on the edge of the
bed, folding the newspaper around the article. "Right here,
first line, clear as day: 'The fire department doesn't suspect arson
in the house fire on Phillips Avenue.'"
CLEANED UP Stan shot back to the hotel room,
ready to howl. "We're free as birds!"
"What'd you hear?" Frannie asked, snuffing out a butt. "And don't you try
to lie to me, Stanley R. Watson, just to make me feel better."
"It's in the paper, sweetie." He plopped on the edge of the bed,
folding the newspaper around the article. "Right here, first line,
clear as day: 'An overheated electrical outlet is believed to be the
cause of the October fire of Millie Wentworth's ranch house on Phillips Avenue.'"
Uncertain
of a piece of your writing?
Send it to us
and we'll clean it up in a future
issue.
Place
your contact info on the top or bottom of each page, and link
your email address. Make it easy for visitors, and potential customers,
to reach you.
Yep! I always have a snack nearby!
- 72% Nope! I always eat in another room! - 28%
"Are
you kidding? The question for me should be: Do you write in your
eating area?" - Steph Hagerman
"Yes!
As an ex-smoker, I couldn't possibly write without something in my
mouth. Doesn't help my waistline, I know, but it does wonders for my mood.
And I'm firmly convinced a happy writer is a diligent writer." - Ruth
Standefer
"Nope. I try not to
eat where I work. Did enough of the lunch at the desk routine when I
had "real" jobs. When I eat, I take a break. I mentally
punch out and leave the office. I also have a great fear of getting
food in or on my computer equipment. It's bad enough that I spilled a
full glass of water all over my phone and a pile of notes the other
day. Bringing food in here would just be asking for trouble." - Sue
Lick
"Yes, constantly,
including chocolate. I eat many meals in front of my computer. Consequently,
I enjoy a lot of cold food because I have laid it on the desk in order
to finish a sentence, paragraph or even an email. And of course I have
the ever-present dog at my side, waiting for handouts, dropped food or
to lick the empty dish." - Audrey Marie Danielson
"I used to, until
I read somewhere that you shouldn't do anything while you're eating.
Books, TV, the Internet, etc., distract us from what we're consuming,
thus we're prone to overeat. So I step away from the computer now, and
enjoy my meals in the dining room or on the back porch. I then return
satisfied and ready to write." - Brian King
CHALKBOARD
Here's a chance to show off your
writing!
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue.
Approximately 500 words. Any genre. You, of course, retain all rights.
It will remain in The VERB archives until you ask us to remove
it.
Subject:
CHALKBOARD submission
(Feel free to include a bio.)
COLORFUL BLESSINGS by
Mary E. McCloud
Soon
my "Martha eyes" began to dim. I looked once more at
the tables.
For the first time, I saw them through Mary's vision.
"These crayon marks won't come off," I muttered,
tossing the wet dishcloth into the sink. "Maybe if I scrub
harder. Oh, it's no use! Only forty-five minutes until everyone
will be here for the church dinner."
"Where are the paper tablecloths? They'd look better. Bad
idea. No time to search. These crayon-marked tables will have to
do," I said as my "Martha eyes" scanned the fellowship
hall one last time before scurrying to the kitchen.
Heat water for tea. Where are the pickles? Stir the beans. Oh,
what will our guests think when they see those tables? Slice the
brownies. Get the ice. Arrange the serving line. What will they
think?
Soon my "Martha eyes" began to dim. I looked once
more at the tables. For the first time, I saw them through Mary's
vision. Scenes of children seated around them came into focus. I
saw toddlers coloring pictures from their Sunday School lesson. I
saw pre-schoolers coloring their attendance charts. Kids of all
sizes, cutting, gluing and ... coloring.
Thank you, Lord, for showing me these beautiful, crayon-marked
tables. Reminders of our most precious gifts, our children. May
they always feel loved and at home here--in Your house.
What's that smell? That sound? Oh no, the smoke alarm! Ushers!
Hurry! Get me some Marthas!
These days, computers have become the preferred medium for most writers. With a few clicks of the mouse, we are able to delete, rewrite, cut and paste with a speed and ease never
imagined before with a typewriter, let alone pad and pen. But due
to the intimidating nature of this vast writing tool, some
of its benefits remain idle. Never fear! My husband Jim Guy,
a certified computer genius, is here to help.
In
this issue of The Verb, I, the computer guy will report on
software definitions in hopes that these will demystify some of
the obscure and elitist language used by show offs and other
computer geeks. Sit up straight, eyes forward, ready?
No? Just a couple – you’ll feel better.
Menus.
Not at the restaurant. On the screen, at the top. See the words
File, Edit, View, etc? That’s the menu, and those are menu
options. You’ve been using them, now you know what they’re
called. I can tell you’re happier already. You may have never
noticed but the menu options sit on a Menu Bar. In some programs
you can move the menu bar around. Weird, I know, but some people
like it that way.
Toolbars.
No, not where nerds hang out after work. Keep focused on the
screen, now. See those buttons just below the menu with pictures
of things? There’s a printer, a paper clip, a folder, a little
floppy disk, a broom, a fat letter B. Those are software tools,
and they live on the Toolbar. For some reason, in computer terms,
that’s one word. If you go to the View menu you can choose to
have different Toolbars show. You can click on all this stuff from
the menu options, but, for example, it’s fast to be able to
print by clicking on the little picture of the printer rather than
clicking on File, Print, then choosing which printer, and finally
clicking the OK or Print button.
Taskbar.
This is the bar where the Start button is found. If you open up
Internet Explorer it creates a box on the Taskbar. When you open
up Word it creates a box on the Taskbar. So the Taskbar shows a
list of all running programs. It also has this confusing little
collection of treasures over on the right where you see the time.
That’s called the System Tray, and it’s part of the Taskbar.
So you can see the Taskbar is a busy place, and we could talk
about it for several paragraphs. Oh, wouldn’t that be
fascinating one day if only we had the time!
Books. Books. Books.They're
everywhere. They come in all sizes, colors and languages. They hold
histories, mysteries, secrets and dreams and just about every person in
the world, including yourself, wants to write one.
But how well do you know this
coveted item? Take the quiz below to test your familiarity with the basic
parts of a book.
1. The
top of a book is called ... a) The head.
b) The looker.
c) The summit.
2. The
back of the book (seen on a shelf) is called ...
a) The hinge.
b) The
show-off.
c) The spine.
3. The front
and back covers are called ... a) The crutch.
b) The board.
c) The façade.
4. The fore edge is
... a) The side edge of the pages.
b) The top edge of
the pages.
c) The bottom edge
of the pages.
5. The gutter
is ... a)
A groove on the front cover.
b) The inside
crack between pages.
c) The place
where perverts live.
6. The first page of
a book is referred to as ... a) The endsheet.
b) The blurb
jacket.
c) The
flyleaf.
7. The bottom of a
book is referred to as ...
a) The crash.
b) The tail.
c) The rump.
1)A
- The head. 2)C
- The spine. 3)B
- The board. 4)A
- The side edge of the pages. 5) B
- The inside crack between pages. 6)C
- The flyleaf. 7) B
- The tail.
Wow, that's more information
than you thought you'd ever need, eh? But now that it's lodged
securely within the brain, you might as well use it when you attend your
book signings. Not only will you dazzle the crowd with your written words,
you'll baffle them with your oral trivia.
“I’m
standing
again tonight on a rooftop looking out over London, feeling
rather large and lonesome. In the course of the last fifteen or
twenty minutes there’s been considerable action up here, but
at the moment, there’s an ominous silence hanging over London
... a silence that has a great deal of dignity.
"Just
straightaway in front of me the searchlights are working. I can
see one or two bursts of anti-aircraft fire far in the distance.
Looking
in the opposite direction, there is a building with two windows
gone. Out of one window, there waves something that looks like a
white bed sheet, a window curtain swinging free in this night
breeze. It looks as though it were being shaken by a
ghost.
"Down
below in the streets I can see just that red and green wink of
the traffic lights: one lone taxicab moving slowly down the
street. Not a sound to be heard. As I look out across the miles
and miles of rooftops and chimney pots, some of those dirty-gray
fronts of the buildings look almost snow-white in this moonlight
....
"The
rooftop spotter across the way swings around, looks over in the
direction of the searchlights, drops his glasses and just stands
there. There are hundreds and hundreds of men like that standing
on rooftops in London tonight watching for fire bombs, waiting
to see what comes out of this steel-blue sky."