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Whew! Sorry you
haven't received an issue lately, but we've had both personal and
professional deadlines to meet. Unfortunately during such times, our
little Labor of Love here gets booted to the back burner. That's why
we've decided to make our recent change a permanent one. The VERB is now
officially a monthly ezine.
I don't know what
it is about this time of year, but I can't stop writing! Is it the cool
crisp air? The changing leaves? The aroma of pumpkins and cinnamon? I
feel like a squirrel, gathering nuts, getting ready for the winter. Only
my nutsare words, and I plan to send them out into the
world rather than hoard them in a tree. Come to think of it, I don't
live outdoors and I'm not actually covered with fur, although sometimes
I ... oh, forget the squirrel analogy. Suffice to say, I love the Fall
and I am wonderfully inspired by it. Hope you are too. If you aren't,
try baking a
pumpkin pie!
Speaking of writing, I
can't believe our current contest is over in two weeks. Where has the
time gone? If you plan on entering your strange, hair-raising crime scene
tale, send it in soon.
~~~
FOR
YOUR RESEARCH -
Horror
The most cited reference book on
werewolves.
The VERB
is published once a month.
It is sent exclusively
to those who
requested and
confirmed a
subscription.
To manage yours,
please scroll down
to the bottom of
this ezine.
This issue was
published
under the musical influence of
As for items on my desk:
a lamp
2 old coffee cups
3 bills
7 pens
my research notes
and a plate from about a month ago!
Jeff
is the author of twenty novels. He's been nominated for four
Edgar Awards from the Mystery Writers of America, an Anthony
award, and is a three-time recipient of the Ellery Queen
Reader's Award for Best Short Story of the Year. Translated into
25 languages, his novels have appeared on a number of bestseller
lists around the world, including the New York Times, the
London Times and the Los Angeles Times. The
Bone Collector was a feature release from Universal
Pictures, starring Denzel Washington as Lincoln Rhyme. The
latest Lincoln Rhyme novel, The Twelfth Card, is in
stores now!
On a rainy Switzerland evening in June 1816,
a group of friends gathered around the fireplace to read aloud a German
book of ghost stories. Inspired by the tales and the weather, host Lord
Byron challenged his guests, Dr. John Polidori, poet Percy Shelley and
wife Mary, to compose their own story of horror that would entertain and
terrify the others.
Although Byron clearly intended the
competition to be between himself and Percy Shelley, the writers of the group, Mary and
Dr. Polidori also agreed to give it a try.
The next day, Byron, Percy and Polidori read the beginnings of
their tales. The topics ranged from experiences of early life to a skull-headed lady
punished for peeping
through a keyhole.
Mary had nothing to offer. She wanted to think of a story "which
would speak to the mysterious fears of our nature and awake thrilling
horror--one to make the reader dread to look round, to curdle the blood,
and quicken the beatings of the heart." But the story itself
remained elusive.
Eventually the others dropped the
exercise, but they didn't forget Mary had failed to contribute. They kept
nudging her for a story, and she kept admitting she didn't have one.
A few nights later, while listening to
the menfolk discuss
Erasmus Darwin's success in causing a piece of vermicelli to move
voluntarily, she had an epiphany. What would happen if one were "to mock the stupendous mechanism of the Creator of the
world" by giving the spark of life to a hideous corpse?
Next morning, after the poets went off sailing,
Mary Shelley started work on what was to become one of the scariest
stories of all time ... Frankenstein.
Fear
triggers the "fight or flight" response in our bodies--heart
rate increases, blood rushes to the larger muscles, lungs take in oxygen
faster, pupils dilate, skin sweats, digestive and urinary systems slow
down. The body remains this way until the brain signals it's safe to
relax.
"At
night, when the objective world has slunk back into its
cavern and left dreamers to their own, there come inspirations
and capabilities impossible at any less magical and quiet hour.
No one knows whether or not he is a writer unless he has tried
writing at night."
~Howard
Phillips Lovecraft was born in Providence, Rhode Island.
~
His mother Sarah, a descendent of Reverend George Phillips who
stepped foot on Massachusetts soil in 1630, and father Winfield
Scott Lovecraft, a traveling salesman, married late in life.
Howard was their only child.
~ Howard began reciting poetry at the age of two and writing
complete poems by six.
~
When he was three, his father had a nervous breakdown on
a business trip in Chicago and died five years later. Howard's upbringing fell to his mother, two aunts and his
maternal grandfather, the prominent industrialist Whipple Van Buren
Phillips.
~ Phillips introduced the lad to the world of Gothic
horror and the writings of Edgar Allan Poe.
~ A lonely
child, Howard suffered from many illnesses that kept him from
attending school regularly. But he loved to read, and learned a
great deal through independent study. At the age of eight, he
discovered science and wound up producing two hectographed journals, The
Scientific Gazette and The Rhode Island Journal of
Astronomy.
~ In 1904, Lovecraft’s grandfather died. Gross
mismanagement of
his affairs left the family almost broke. Howard and his mother
had to move out of their lavish Victorian home and into a much
smaller house. The loss of his birthplace devastated Howard.
He contemplated suicide.
~ In 1908, prior
to his high school graduation, Howard had a nervous
breakdown. He didn't receive a diploma.
~ The next five years, Lovecraft
lived like a hermit. He wrote no fiction, but focused only on
astronomy and poetry. One day, while reading a pulp magazine,
he became so enraged by an "insipid love story"
written by one Fred Jackson, he wrote a letter in protest, and
in verse, to the editor. The letter was published, creating a storm
of protest from Jackson’s defenders.
~ The controversy caught
the eye of Edward F. Daas, President
of the United Amateur Press Association (UAPA), a group of
amateur writers who wrote and
published their own magazines. He invited Lovecraft to join
the UAPA. Lovecraft agreed, and later even became President
and Official Editor.
~ Several noted authors
urged him to go back to his weird fiction. Howard wrote "The Tomb” and “Dagon” in quick succession in
the summer of 1917, and kept up a steady flow of fiction along
with his poetry
and essays. He also began a correspondence with friends and
associates that would eventually label him as one of the most prolific
letter-writers of the century.
~ After the death of his domineering mother,
Howard went to an amateur
journalism convention in Boston. There, he met Sonia Haft Greene,
a Russian Jew who was seven years older than he. They fell in
love.
~ Howard's two aunts
didn't approve of Sonia because she was a working woman--she
owned a hat shop on Fifth Avenue in New York. So Howard waited
until after the wedding ceremony to inform them of the
marriage.
~ Two years later, he and
Sonia divorced. Howard ecstatically
returned to Providence and embarked upon his greatest fiction:
"The Call of Cthulhu," "At
the Mountains of Madness," "The Shadow Out of
Time."
~ He continued his vast
correspondence, and nurtured the careers of many budding writers,
such as August Derleth, Donald Wandrei and Robert Bloch.
~ Later on, his horror
stories became increasingly complex and difficult to sell. To
make money, he was
forced to ghostwrite others' stories, poetry and nonfiction works.
~ For two years, Howard
suffered from severe abdominal pain, but ignored it. By the
time he entered Jane Brown Memorial Hospital, and learned his
illness was cancer of the intestine, he was beyond help. The
doctors gave him morphine to ease the pain.
~ Howard died there five
days later. He is buried at the Phillips family plot at Swan Point Cemetery,
Providence, Rhode Island.
~ Although Lovecraft
didn't enjoy literary success in his lifetime, today he is
considered The Grandmaster of American Horror.
Pronouns do
a wonderful job sitting in for nouns: Terry dropped her
Halloween candy and raced to hercar. Pronouns
also do a wonderful job clearing up ambiguities.Is Terry a girl or
a guy? We might never know without a she thrown in now and then.
But for all their hard work, pronouns do have their lazy side. They don't
tell us which.
Clarity is the goal. So do a
"pronoun hunt" whenever you finish a scene, and you'll probably
find that some of those rascals are sleeping on the job. To catch them
all, have someone else read your work, just to make sure they see exactly
what you mean.
EXAMPLE:
Linda patted her cold dead arm. Patsy wiped her nose. Nora stared at the
diamond ring on her finger. If she didn't do it soon, she would implode.
CLEANED
UP:
Linda patted her mother's cold dead arm. Patsy, who hadn't stopped crying
since she got the news, pulled out another tissue and blew her runny nose.
Nora stared at the carat diamond on the dead wrinkled hand, determined to
inherit the ring before the old bat went six feet under.
EXAMPLE: Pounding horse hooves came
closer. Sejam cried out to Leinahtan. He couldn't breathe. He felt even
more confused. Toward the castle he ran, moonlight bouncing off the cold
hard steel that protruded from his chest. Was this his fate, to die from his sword?
CLEANED
UP: Out of the dark came the thunderous sound of pounding horse hooves.
Leinahtan pushed away from the tree, confused, out of breath and bleeding.
He heard Sejam call to him, again and again. He ran toward the castle,
moonlight bouncing off the cold hard steel in his chest. Was this his
fate, to die from his brother's sword?
Uncertain
of a piece of your writing?
Send it to us
and we'll clean it up in a future
issue.
Bright
lemon yellow is the most fatiguing color of all. Avoid it as a
background. It is, however, a great accent color when you want to draw attention to certain areas of your
site.
PREVIOUS SURVEY
Where do you
get the medical facts in your story?
I work in the medical
field.
- 9% I know
someone who works in the medical field.
-
15% I read medical books
and articles.- 76%
"I'm a medical
examiner. Medical facts are not so difficult to come by. A publisher,
on the other hand ..." - Phillip Rochester, M.D.
"I have several
friends who work in the medical field. They are always eager to give
me info, including offering suggestions for believable plots. I advise
all medical fiction writers, or anyone who's writing about a murder,
to search their local phone book. An interview with a real-life
professional beats almost anything you'll read in a book." - Eddy
Bartlett
"My
brother is a pediatrician. When he can't help me, he
hands me off to those who can." - Elaine Dunsford
"I
don't have medical professionals in my family, but I do have
many "medical" contacts online who help me with the small
details. I also devour medical books and articles, in general, so
that I at least SOUND as though I know what I'm talking
about." - Ann Butler
"I
guess if I knew someone in the medical field, I would ask an
occasional question. I'm inclined to think that, unless we
were very dear friends, a relentless interrogation would get old
quick. When I need medical information,
I first research the topic online. If I can't find it there,
I head for the library." - Norman Lawton
CHALKBOARD
Here's a chance to show off your
writing!
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue.
Approximately 500 words. Any genre. You, of course, retain all rights.
It will remain in The VERB archives until you ask us to remove
it.
Subject:
CHALKBOARD submission
(Feel free to include a bio.)
THE
EYEWITNESS by Deborah Johns
"But
when I go to close the door, he yells, 'Hey, you got cable?' Now, ain't that something? Of all things to call out to a perfect stranger! 'You got cable?'
"I was on the couch," said Marlene, "doors and
windows wide open--it was so pretty today, wasn't it?--and I'm
thinking, if he's watching TV too, he knows he's all over the
place and he's got to be scared and I better get up and lock the
door. But I can't move. I'm frozen to my seat."
"But you did finally move," said Agent O'Malley.
"Yeah, when I heard the door slam in Apartment A. And I'll
just be damned if he wasn't there in the front yard, lighting a
cigarette. Cool as spring water."
Agent Ward frowned. "Just standing there?"
"Well, I guess he was waiting on Teddy to come out, I don't
know. I just wanted to scream and run at the same time. But
something told me no, I got to act normal. I knew he'd already
seen me, so I yelled, 'Nice day, ain't it?' He nodded at the
ground like it was the one talking to him. But when I go to close
the door, he yells, 'Hey, you got cable?' Now, ain't that
something? Of all things to call out to a perfect stranger! 'You
got cable?' But I knew he was testing me. He wanted to see if I'd
seen him on the news. I couldn't lie, so I said, 'Yeah, I got
cable, but don't ever have time to watch it.' And then he stared
dead into my eyes under that cowboy hat and I thought, he knows I
know and he's about to kill me and Jake is gonna come home from
school and find me in a pool of blood and … well, I got mad and
flew out the door."
"What do you mean you ..." Agent Ward leaned closer,
eyeing the little woman. "Where did you go?"
"Right at him. You could tell I surprised him because he
dropped his cigarette. He looked like he didn't know if he was
coming or going. Just as I got to him, screaming, he took off like
a scared rabbit. We went in and out of the bushes, around those
trees out back, and then the crazy thing ran up on my back deck.
Headed straight for the sliding doors, trying to get inside. He
stepped on one of Jake's Lego trucks and broke it. That's when I
jumped on his back and poked his eyes.
"He whirled round and round, grunting and groaning, swearing
he wasn't going back to prison. 'Shoulda thought about that
before you killed those people,' I told him. Next thing I know
he's got me in a headlock. He had this skull tattoo on his arm and
I thought, Lord, don't let this be the last thing I see on this
earth. Then I saw the Legos again and thought of Jake and somehow,
I don't know how, I twisted out of his arm. I put both hands on
his big old chest and pushed harder than I've ever pushed anything
in my entire life. He fell back, eyes all wild, snapped the
banister and before he could get his balance, he fell right off
the deck and landed on the side of Jake's sandbox, ten feet
below."
Marlene crunched a piece of ice. "They said he broke his leg
in three places, but at least he'll walk again.
Those people he killed won't."
Both FBI agents stared at her, wide-eyed and speechless.
The structure of suspense is
similar to that of a roller coaster. It begins in a safe environment,
rises to a terrifying state of vulnerability, descends to a relatively
safe environment and rests briefly before it starts all over again.
The amount of gasps it
elicits depends on the amount of time the journey takes. Too fast, and
readers feel cheated of a thrill. Too slow, and readers fall asleep. The key to the perfect ride is the perfect pace.
Take the quiz below to see
if you can find the scenario that best builds suspense.
1. In the shower, a
young woman hears a strange sound on the other side of the curtain. What
does she do?
a) Shuts off water, listens for a
moment, determines sound came from water heater, exhales in relief.
b) Freezes, stands in shower until husband
returns hours later.
c) Widens eyes, breathes faster,
eases toward edge of shower curtain, slowly pulls it back.
2. A
non-smoker awakes to find his bedroom reeking of cigarette smoke.
What does he do?
a) Jumps up, looks out open window, sees neighbor smoking in yard,
exhales in relief.
b) Pulls covers over head, waits
for smoking intruder to do something.
c) Tenses muscles, breathes
faster, grabs flashlight on table, eases out of bed.
3. A
babysitter gets a call from a stranger who urges her to check on the
children. What does she do?
a) Recognizes annoying brother's voice, hangs up, resumes watching
TV.
b) Freezes, stares at phone, waits for sound of
giggling children upstairs.
c) Feels hair rise on neck,
breathes faster, gets up, tiptoes upstairs.
4. A student enters
the doctor's office to learn his test results. What happens next?
a) Doctors jumps up from desk and announces, "Shane, I'm so
sorry, it's cancer."
b) Doctor is on phone, points him to
a seat, continues phone conversation for almost half hour.
c) Doctor looks up, stands, smiles.
"Come in, Shane, have a seat."
5. A
bowler hears an eerie growl as he walks toward his car in a dark parking lot. What does he do?
a) Glances over shoulder, spots
pack of dogs in Burger King's trash dumpster, exhales in relief.
b) Freezes, scrunches eyes, waits for
an attack from behind.
c) Sweats, breathes faster, tightens
grip on bowling ball bag, turns around.
The A
scenarios are like supersonic rocket launchers. The pace is so fast, the
ride is over before it begins. Apply brakes. Don't be so quick to explain
away the suspense. Allow your readers time to conjure a good gasp.
The B
scenarios are like kiddie choo-choos. The pace is so slow, the
riders would make better time if they got out and walked. Hit the gas.
Don't give in to passivity. Allow your readers the chance to live the
suspense.
The C
scenarios are the ultimate roller coaster. The pace starts out slow, then
builds and builds and builds with the promise of a terrifying thrill on
the other side of the hill. Readers will simply have to turn the
page.
"Lord,
man! How you made me jump!" he exclaimed, on
his feet beside him the same instant, and peering over his
shoulder into the sea of darkness. "What's up? Are you
frightened—?"
Even before the question was out of his mouth he knew it was
foolish, for any man with a pair of eyes in his head could see
that the Canadian had turned white down to his very gills. Not
even sunburn and the glare of the fire could hide that.
The forest pressed round them with its encircling wall; the
nearer tree stems gleamed like bronze in the firelight; beyond
that—blackness, and, so far as he could tell, a silence of
death. Just behind them a passing puff of wind lifted a single
leaf, looked at it, then laid it softly down again without
disturbing the rest of the covey. It seemed as if a million
invisible causes had combined just to produce that single
visible effect. Other life pulsed about them—and was
gone.