ISSN # 1546-2153

 




INTRODUCTION

FUNNY FILE

WHAT'S ON YOUR DESK?

MAKING A SCENE

SAY WHAT?

A MOMENT IN THE HISTORY OF WRITING

WRITING TIP

LITTLE-KNOWN FACTS ABOUT . . . 

CLEANING UP YOUR PROSE

WEBSITE TIP

JUST CURIOUS 

CHALKBOARD

QUIZ CORNER 

OUR CURRENT CONTEST

FINALLY . . .  A Sample of  Excellence

CONTACT INFO




VERB ARCHIVES

 

 

 

 

 

 

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      Volume 3,  Issue 14                                                               October 17, 2005

 


Brought to you by:

R e a d i n g W r i t e r s 
www.readingwriters.com

 

 

INTRODUCTION

Welcome to The VERB!

Whew! Sorry you haven't received an issue lately, but we've had both personal and professional deadlines to meet. Unfortunately during such times, our little Labor of Love here gets booted to the back burner. That's why we've decided to make our recent change a permanent one. The VERB is now officially a monthly ezine.    

I don't know what it is about this time of year, but I can't stop writing! Is it the cool crisp air? The changing leaves? The aroma of pumpkins and cinnamon? I feel like a squirrel, gathering nuts, getting ready for the winter. Only my nuts are words, and I plan to send them out into the world rather than hoard them in a tree. Come to think of it, I don't live outdoors and I'm not actually covered with fur, although sometimes I ... oh, forget the squirrel analogy. Suffice to say, I love the Fall and I am wonderfully inspired by it. Hope you are too. If you aren't, try baking a pumpkin pie!

Speaking of writing, I can't believe our current contest is over in two weeks. Where has the time gone? If you plan on entering your strange, hair-raising crime scene tale, send it in soon.  

~~~

FOR YOUR RESEARCH - Horror
The most cited reference book on werewolves.

Everything you need to know about vampires.
 
Superstitions are the basis of many a scary story. Read up on them here.
 
If you want to break into horror writing, join the forum at Cafe Doom.

Finally, your temporary Freedom from Toil is here. Read classic horror stories, if you dare, at a really cool site. Mawaaahaahaahaa! 

Now, without further ado ... let the action begin!

 


Elizabeth Guy
Editor
My blog! 





  
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This issue was
 published under the musical influence of

 COLDPLAY
X & Y


FUNNY FILE

 WHAT'S ON YOUR DESK?

JEFFERY DEAVER

So nice to hear from you! 

As for items on my desk: 
a lamp
2 old coffee cups
3 bills
7 pens
my research notes 
and a plate from about a month ago!

 

 


Jeff is the author of twenty novels. He's been nominated for four Edgar Awards from the Mystery Writers of America, an Anthony award, and is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story of the Year. Translated into 25 languages, his novels have appeared on a number of bestseller lists around the world, including the New York Times, the London Times and the Los Angeles Times. The Bone Collector was a feature release from Universal Pictures, starring Denzel Washington as Lincoln Rhyme. The latest Lincoln Rhyme novel, The Twelfth Card, is in stores now!

Join his mailing list.

MAKING A SCENE

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SAY WHAT? Commonly Misused Words

Apparition means a ghostly figure.
        "And I may, said she, be as soon persuaded that your apparition is talking to me now." 

Aberration means deviation from accepted standard.
        "You call that aberration a haunted house?"

A MOMENT IN THE HISTORY OF WRITING

On a rainy Switzerland evening in June 1816, a group of friends gathered around the fireplace to read aloud a German book of ghost stories. Inspired by the tales and the weather, host Lord Byron challenged his guests, Dr. John Polidori, poet Percy Shelley and wife Mary, to compose their own story of horror that would entertain and terrify the others. 

Although Byron clearly intended the competition to be between himself and Percy Shelley, the writers of the group, Mary and Dr. Polidori also agreed to give it a try. 

The next day, Byron, Percy and Polidori read the beginnings of their tales. The topics ranged from experiences of early life to a skull-headed lady punished for peeping through a keyhole. 

Mary had nothing to offer. She wanted to think of a story "which would speak to the mysterious fears of our nature and awake thrilling horror--one to make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart." But the story itself remained elusive. 

Eventually the others dropped the exercise, but they didn't forget Mary had failed to contribute. They kept nudging her for a story, and she kept admitting she didn't have one. 

A few nights later, while listening to the menfolk discuss Erasmus Darwin's success in causing a piece of vermicelli to move voluntarily, she had an epiphany. What would happen if one were "to mock the stupendous mechanism of the Creator of the world" by giving the spark of life to a hideous corpse?

Next morning, after the poets went off sailing, Mary Shelley started work on what was to become one of the scariest stories of all time ... Frankenstein.

 

WRITING TIP

Fear triggers the "fight or flight" response in our bodies--heart rate increases, blood rushes to the larger muscles, lungs take in oxygen faster, pupils dilate, skin sweats, digestive and urinary systems slow down. The body remains this way until the brain signals it's safe to relax.

LITTLE-KNOWN FACTS ABOUT . . . 

H.P. LOVECRAFT

Born:  August 20, 1890
Died:  
March 15, 1937

 


"At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. 
No one knows whether or not he is a writer unless he has tried writing at night."


 

~  Howard Phillips Lovecraft was born in Providence, Rhode Island.

~  His mother Sarah, a descendent of Reverend George Phillips who stepped foot on Massachusetts soil in 1630, and father Winfield Scott Lovecraft, a traveling salesman, married late in life. Howard was their only child. 

~  Howard began reciting poetry at the age of two and writing complete poems by six. 

~  When he was three, his father had a nervous breakdown on a business trip in Chicago and died five years later. Howard's upbringing fell to his mother, two aunts and his maternal grandfather, the prominent industrialist Whipple Van Buren Phillips.  

~  Phillips introduced the lad to the world of Gothic horror and the writings of Edgar Allan Poe. 

~  A lonely child, Howard suffered from many illnesses that kept him from attending school regularly. But he loved to read, and learned a great deal through independent study. At the age of eight, he discovered science and wound up producing two hectographed journals, The Scientific Gazette and The Rhode Island Journal of Astronomy.

~  In 1904, Lovecraft’s grandfather died. Gross mismanagement of his affairs left the family almost broke. Howard and his mother had to move out of their lavish Victorian home and into a much smaller house. The loss of his birthplace devastated Howard. He contemplated suicide. 
 
~  In 1908, prior to his high school graduation, Howard had a nervous breakdown. He didn't receive a diploma. 
 
~  The next five years, Lovecraft lived like a hermit. He wrote no fiction, but focused only on astronomy and poetry. One day, while reading a pulp magazine, he became so enraged by an "insipid love story" written by one Fred Jackson, he wrote a letter in protest, and in verse, to the editor. The letter was published, creating a storm of protest from Jackson’s defenders. 
 
~  The controversy caught the eye of Edward F. Daas, President of the United Amateur Press Association (UAPA), a group of amateur writers who wrote and published their own magazines. He invited Lovecraft to join the UAPA. Lovecraft agreed, and later even became President and Official Editor.
 
~  Several noted authors urged him to go back to his weird fiction. Howard wrote "The Tomb” and “Dagon” in quick succession in the summer of 1917, and kept up a steady flow of fiction along with his poetry and essays. He also began a correspondence with friends and associates that would eventually label him as one of the most prolific letter-writers of the century.
 
~  After the death of his domineering mother, Howard went to an amateur journalism convention in Boston. There, he met Sonia Haft Greene, a Russian Jew who was seven years older than he. They fell in love.
 
~  Howard's two aunts didn't approve of Sonia because she was a working woman--she owned a hat shop on Fifth Avenue in New York. So Howard waited until after the wedding ceremony to inform them of the marriage. 
 
~  Two years later, he and Sonia divorced. Howard ecstatically returned to Providence and embarked upon his greatest fiction: "The Call of Cthulhu," "At the Mountains of Madness," "The Shadow Out of Time." 
 
~  He continued his vast correspondence, and nurtured the careers of many budding writers, such as August Derleth, Donald Wandrei and Robert Bloch. 
 
~  Later on, his horror stories became increasingly complex and difficult to sell. To make money, he was forced to ghostwrite others' stories, poetry and nonfiction works. 
 
~  For two years, Howard suffered from severe abdominal pain, but ignored it. By the time he entered Jane Brown Memorial Hospital, and learned his illness was cancer of the intestine, he was beyond help. The doctors gave him morphine to ease the pain.
 
~  Howard died there five days later. He is buried at the Phillips family plot at Swan Point Cemetery, Providence, Rhode Island. 
 
~  Although Lovecraft didn't enjoy literary success in his lifetime, today he is considered The Grandmaster of American Horror.
 
 
 

 

CLEANING UP YOUR PROSE

Pronouns do a wonderful job sitting in for nouns: Terry dropped her Halloween candy and raced to her car. Pronouns also do a wonderful job clearing up ambiguities. Is Terry a girl or a guy? We might never know without a she thrown in now and then. But for all their hard work, pronouns do have their lazy side. They don't tell us which. 

Clarity is the goal. So do a "pronoun hunt" whenever you finish a scene, and you'll probably find that some of those rascals are sleeping on the job. To catch them all, have someone else read your work, just to make sure they see exactly what you mean. 

 


 

EXAMPLE:
Linda patted her cold dead arm. Patsy wiped her nose. Nora stared at the diamond ring on her finger. If she didn't do it soon, she would implode. 

CLEANED UP:  
Linda patted her mother's cold dead arm. Patsy, who hadn't stopped crying since she got the news, pulled out another tissue and blew her runny nose. Nora stared at the carat diamond on the dead wrinkled hand, determined to inherit the ring before the old bat went six feet under. 

 

EXAMPLE:
Pounding horse hooves came closer. Sejam cried out to Leinahtan. He couldn't breathe. He felt even more confused. Toward the castle he ran, moonlight bouncing off the cold hard steel that protruded from his chest. Was this his fate, to die from his sword?

CLEANED UP:
Out of the dark came the thunderous sound of pounding horse hooves. Leinahtan pushed away from the tree, confused, out of breath and bleeding. He heard Sejam call to him, again and again. He ran toward the castle, moonlight bouncing off the cold hard steel in his chest. Was this his fate, to die from his brother's sword? 

 

 


Uncertain of a piece of your writing? 
Send it to us
and we'll clean it up in a future issue.

WEBSITE TIP

Bright lemon yellow is the most fatiguing color of all. Avoid it as a background. It is, however, a great accent color when you want to draw attention to certain areas of your site.

JUST CURIOUS ~ Survey 

Do you like to be scared?

    Yes, as often as possible.

    Sometimes, if it isn't too gory.

    No, I hate scary stuff.

 

Poll remains open till November 13, 2005 

  

PREVIOUS SURVEY
Where do you get the medical facts in your story?

I work in the medical field. - 9% 
I know someone who works in the medical field. - 15%
I read medical books and articles. 76%

 

"I'm a medical examiner. Medical facts are not so difficult to come by. A publisher, on the other hand ..." - Phillip Rochester, M.D.

"I have several friends who work in the medical field. They are always eager to give me info, including offering suggestions for believable plots. I advise all medical fiction writers, or anyone who's writing about a murder, to search their local phone book. An interview with a real-life professional beats almost anything you'll read in a book." - Eddy Bartlett 

"My brother is a pediatrician. When he can't help me, he hands me off to those who can." - Elaine Dunsford
 
 "I don't have medical professionals in my family, but I do have many "medical" contacts online who help me with the small details. I also devour medical books and articles, in general, so that I at least SOUND as though I know what I'm talking about." - Ann Butler 
 
"I guess if I knew someone in the medical field, I would ask an occasional question. I'm inclined to think that, unless we were very dear friends, a relentless interrogation would get old quick. When I need medical information, I first research the topic online. If I can't find it there, I head for the library." - Norman Lawton

CHALKBOARD

Here's a chance to show off your writing! 
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue. Approximately 500 words. Any genre. You, of course, retain all rights. It will remain in The VERB archives until you ask us to remove it.

Subject: CHALKBOARD submission
(Feel free to include a bio.)


   

 THE EYEWITNESS
by
Deborah Johns

"But when I go to close the door, he yells, 'Hey, you got cable?' Now, ain't that something? Of all things to call out to a perfect stranger! 'You got cable?'

 

      "I was on the couch," said Marlene, "doors and windows wide open--it was so pretty today, wasn't it?--and I'm thinking, if he's watching TV too, he knows he's all over the place and he's got to be scared and I better get up and lock the door. But I can't move. I'm frozen to my seat."

      "But you did finally move," said Agent O'Malley.

      "Yeah, when I heard the door slam in Apartment A. And I'll just be damned if he wasn't there in the front yard, lighting a cigarette. Cool as spring water."

      Agent Ward frowned. "Just standing there?" 

      "Well, I guess he was waiting on Teddy to come out, I don't know. I just wanted to scream and run at the same time. But something told me no, I got to act normal. I knew he'd already seen me, so I yelled, 'Nice day, ain't it?' He nodded at the ground like it was the one talking to him. But when I go to close the door, he yells, 'Hey, you got cable?' Now, ain't that something? Of all things to call out to a perfect stranger! 'You got cable?' But I knew he was testing me. He wanted to see if I'd seen him on the news. I couldn't lie, so I said, 'Yeah, I got cable, but don't ever have time to watch it.' And then he stared dead into my eyes under that cowboy hat and I thought, he knows I know and he's about to kill me and Jake is gonna come home from school and find me in a pool of blood and … well, I got mad and flew out the door."

      "What do you mean you ..." Agent Ward leaned closer, eyeing the little woman. "Where did you go?"

      "Right at him. You could tell I surprised him because he dropped his cigarette. He looked like he didn't know if he was coming or going. Just as I got to him, screaming, he took off like a scared rabbit. We went in and out of the bushes, around those trees out back, and then the crazy thing ran up on my back deck. Headed straight for the sliding doors, trying to get inside. He stepped on one of Jake's Lego trucks and broke it. That's when I jumped on his back and poked his eyes.

      "He whirled round and round, grunting and groaning, swearing he wasn't going back to prison. 'Shoulda thought about that before you killed those people,' I told him. Next thing I know he's got me in a headlock. He had this skull tattoo on his arm and I thought, Lord, don't let this be the last thing I see on this earth. Then I saw the Legos again and thought of Jake and somehow, I don't know how, I twisted out of his arm. I put both hands on his big old chest and pushed harder than I've ever pushed anything in my entire life. He fell back, eyes all wild, snapped the banister and before he could get his balance, he fell right off the deck and landed on the side of Jake's sandbox, ten feet below." 

      Marlene crunched a piece of ice. "They said he broke his leg in three places, but at least he'll walk again. Those people he killed won't."

      Both FBI agents stared at her, wide-eyed and speechless. 

       

 


© 2005 Deborah Johns

QUIZ CORNER  

ARE YOU TAKING 'EM FOR A RIDE?


The structure of suspense is similar to that of a roller coaster. It begins in a safe environment, rises to a terrifying state of vulnerability, descends to a relatively safe environment and rests briefly before it starts all over again. 

The amount of gasps it elicits depends on the amount of time the journey takes. Too fast, and readers feel cheated of a thrill. Too slow, and readers fall asleep. The key to the perfect ride is the perfect pace.

Take the quiz below to see if you can find the scenario that best builds suspense. 

 


 

1.  In the shower, a young woman hears a strange sound on the other side of the curtain. What does she do? 

      a)  Shuts off water, listens for a moment, determines sound came from water heater, exhales in relief.
      b)  Freezes, stands in shower until husband returns hours later.
      c)  Widens eyes, breathes faster, eases toward edge of shower curtain, slowly pulls it back.

 

2.  A non-smoker awakes to find his bedroom reeking of cigarette smoke. What does he do?

      a)  Jumps up, looks out open window, sees neighbor smoking in yard, exhales in relief. 
      b)  Pulls covers over head, waits for smoking intruder to do something.
      c)  Tenses muscles, breathes faster, grabs flashlight on table, eases out of bed.

 

3.  A babysitter gets a call from a stranger who urges her to check on the children. What does she do? 

       a)  Recognizes annoying brother's voice, hangs up, resumes watching TV.
      b)  Freezes, stares at phone, waits for sound of giggling children upstairs.
      c)  Feels hair rise on neck, breathes faster, gets up, tiptoes upstairs.

 

4.  A student enters the doctor's office to learn his test results. What happens next?

       a)  Doctors jumps up from desk and announces, "Shane, I'm so sorry, it's cancer."
      b)  Doctor is on phone, points him to a seat, continues phone conversation for almost half hour. 
      c)  Doctor looks up, stands, smiles. "Come in, Shane, have a seat."

 

5.  A bowler hears an eerie growl as he walks toward his car in a dark parking lot. What does he do? 

       a)  Glances over shoulder, spots pack of dogs in Burger King's trash dumpster, exhales in relief.
      b)  Freezes, scrunches eyes, waits for an attack from behind.
      c)  Sweats, breathes faster, tightens grip on bowling ball bag, turns around. 

 


 

The A scenarios are like supersonic rocket launchers. The pace is so fast, the ride is over before it begins. Apply brakes. Don't be so quick to explain away the suspense. Allow your readers time to conjure a good gasp. 

The B scenarios are like kiddie choo-choos. The pace is so slow, the riders would make better time if they got out and walked. Hit the gas. Don't give in to passivity. Allow your readers the chance to live the suspense.

The C scenarios are the ultimate roller coaster. The pace starts out slow, then builds and builds and builds with the promise of a terrifying thrill on the other side of the hill. Readers will simply have to turn the page.

 

 


© 2005 Elizabeth Guy

OUR CURRENT CONTEST

Details here.

FINALLY . . .  A Sample of Excellence

      

"Lord, man! How you made me jump!" he exclaimed, on his feet beside him the same instant, and peering over his shoulder into the sea of darkness. "What's up? Are you frightened—?"

Even before the question was out of his mouth he knew it was foolish, for any man with a pair of eyes in his head could see that the Canadian had turned white down to his very gills. Not even sunburn and the glare of the fire could hide that.

The forest pressed round them with its encircling wall; the nearer tree stems gleamed like bronze in the firelight; beyond that—blackness, and, so far as he could tell, a silence of death. Just behind them a passing puff of wind lifted a single leaf, looked at it, then laid it softly down again without disturbing the rest of the covey. It seemed as if a million invisible causes had combined just to produce that single visible effect. Other life pulsed about them—and was gone.

 

                         - ALGERNON BLACKWOOD
The Wendigo
 

 

 

 CONTACT / SUBSCRIPTION INFO

© 2005 ReadingWriters. All rights reserved. This ezine is a labor of love, and may not be reproduced without permission. All correspondence should be sent to Elizabeth Guy.

The VERB 

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