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based writer, have just subscribed and am thrilled with your site, it's
just what I need while editing the last in a saga of three novels I've
written over the last four years."
We had our first snowstorm last week and
I was in the middle of it, slipping and sliding like a duck on an ice rink. I don't mind the snow,
mind you, I saw enough of it in Denver to jade me forever, but when my
car starts sliding away from the predetermined path? Well, that's a
whole different piece of cake. I know not to slam on the brakes, I
know to steer in the direction of the skid, but these facts do
not stop the Southerner within from screaming, You are so about to
die! It's a pretty pathetic sight. But I got home safely, each time,
and something positive emerged from all that white stuff: it filled us
all with Christmas cheer! We're wrapping presents, mailing packages and cooking our heads off.
Fa la la la la ... Time to pull out Aunt Ruth's Squash Casserole recipe, roll up some rum balls, wrestle with a 20 lb. turkey and
make sure a particular cat stays off the Christmas tree. It's a joyous
and hectic time, but as long as nobody gets hurt, I deem it a success.
By the way, here's something fun to
do while you're around all those strange family members. Single out one
person, someone you don't see very often, and study that person
throughout the day. Watch what she eats and doesn't eat, how he carries
himself, what tickles her funny bone, how he dresses and combs his hair,
her
mannerisms, his facial expressions, her speech pattern. At the end of
the day, right before you fall into bed bloated and exhausted, jot down
what you noticed while it's still fresh on your
mind. Ta da! You will possess a ready-made believable character
just waiting to infiltrate one of your stories. (Yes, I do this a lot.
Does that make me weird?) Oh, and you'll want to change the name, of
course. Nothing like a nasty lawsuit to muck up a good story.
I've
started a blog. It's
a humble little endeavor, dedicated to my dad, who was the oral writer
of the family. He had so many sayings, I doubt we'll ever
record them all. But I do
believe his verbal treasures are worth sharing. Problem is, we don't
know the origins of many of them. You can help by dropping in now and then to see if any ring a bell.
I'll keep the door open for you.
~~~
FOR
YOUR RESEARCH - Writing For Children
Harold Underdown, at the
Purple
Crayon, walks you through the basics of children’s writing and illustrating, and lists valuable resources.
This
site posts the exact words
of kids from age 3 to 14 who review Laura Ingalls'
books. A great insight into what grabs kids' attention and which topics they like to
read.
If it's
been a while since you opened a children's book, get back in the groove
by reading along with the beautifully illustrated stories at
Reading Is Fundamental.
Very cool.
Finally, your
temporary Freedom from Toil is here.
It's the holidays! Go be a kid again!
Now, without further
ado ... let the action begin!
The VERB
is published once a month.
It is sent exclusively
to those who
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confirmed a
subscription.
To manage yours,
please scroll down
to the bottom of
this ezine.
This issue was
published
under the musical influence of
Paper
'stuff' has a way of piling up around my writing area. I try to
stay neat but it seldom works. On certain days and when I'm in a
certain mood, I sweep it all into a box and set it out of sight
so that I can tunnel forth on the project at hand. Other times
none of the mess bothers me and my mind is like a flashlight,
focused straight ahead on whatever I'm writing.
I
do have some things though that I purposely add to my sacred
space. If I glance up, I see pictures of my family, all
of which are my greatest cheerleaders. When I feel discouraged
and the words refuse to spill out in the right order, I usually
hear one of them say something like, "Take a walk
and come back in fifteen minutes ... but COME BACK!"
I
like to sip and write, so there is often a cup of hot coffee or
herb tea close by. It's always in the same lovely ceramic mug
that was given to me by a special friend. The mug rests next to
a little stuffed penguin named Percy. He represents the main
character in a children's story I wrote a long time ago about a
little boy who turns into a penguin. Percy's job is to encourage
me to resubmit this crazy-sounding story after one editor told
me she felt that Percy "had a home" (just
not at their place!).
Possibly
the most unique item that surrounds me when I write is an old
perfume bottle, still two-thirds full. It belonged to my
grandmother who was a most significant person in my life. When I
feel in need of comfort or motivation, I lift that little bottle
from the shelf above my computer, close my eyes and breathe in
slowly and deeply. I sense her presence and her encouragement
... and then I'm back to work!
Sharon
is a consultant, trainer and seminar leader in the areas of
grief and bereavement, creativity writing as therapy, journaling
and writing for personal and spiritual growth. She teaches classes in Creativity and Gifted Education as adjunct faculty for the University of Wyoming
and has a private counseling practice in Laramie, Wyoming. She
is author of When Someone Dies, a loving book of comfort
for children and adults who have lost a loved one. Visit
her website.
In the winter of 1822, on Christmas Eve, a man by the name of Moore took his large family out for a sleigh ride in Greenwich Village. During the ride, he couldn't take his eyes off the roly-poly Dutchman who drove the sleigh. When he arrived home, he sat down at his desk and penned a little poem he thought his kids would enjoy. He called it "A Visit from St.
Nicholas."
It was a big hit in the family. But Moore, a dour straitlaced academe, refused to have the poem published despite its enthusiastic reception.
He argued that he, who had published books of poetry, compiled a two-volume lexicon of the Hebrew language and translated Roman Juvenal's works into English, could not possibly stoop so low as to have this silly thing attributed to him.
One day, a young relative copied the poem in her diary,
took it home and showed it to her father. He in turn sent it to a newspaper in Troy,
New York, who published it in 1823. Other newspapers quickly pounced on the jewel, and soon readers all across the nation were clipping, saving, and even framing the classic tale. Despite its overnight success, however, Moore still refused to openly admit he
wrote it. That came 26 years later when he reluctantly included it in a volume of collected works. He
then referred to the poem as "a mere trifle."
This mere trifle, better known today by its first line, has become a
holiday classic. And the only work anyone remembers from snobbish Professor Clement C. Moore.
When
a book achieves phenomenal success, such as Harry Potter, literary agents
are bombarded with copycat manuscripts. Don't blow with the popular
breeze. Get your story noticed by clinging to originality.
"Had I not had children of my own, I would have never written books for children, nor would I have been capable of doing so."
~ Roald Dahl was born in Llandaff, Wales.
~ His Norwegian parents, Harald and Marie, named him after the explorer Roald Amundsen, a national hero in Norway.
~ Roald’s mother died
when he was very young. An older sister also died of complications from appendicitis.
~ In 1911, Roald’s father married Sofie
Hesselberg. Four years later, Harald died, leaving Roald in the custody of his stepmother. She
was so determined to carry out her husband’s wish, that his children
receive an English education, she sold all her jewelry to pay for
Roald's tuition at Repton, a private school in Derbyshire.
~ Roald hated schools in Wales and England, and
those who ruled them. He was appalled by the fact that masters and senior boys were allowed
to wound other boys. These experiences greatly influenced the stories he later wrote.
~ At eighteen, Dahl didn’t want to go to college, he wanted to travel.
He joined an expedition to Newfoundland. Then back in England, he took a job with
the Shell Company which sent him all the way to Tanzania.
~ When World War II broke out,
Dahl served in the Royal Air Force (RAF) in Greece, Syria and Libya, where he was shot down. While recovering from his head wounds, he had strange dreams that later found their way into his
stories.
~ After the war, Dahl began to write about his RAF adventures. The
Saturday Evening Post bought his short story, "A Piece of Cake," and paid him $1,000 for it.
~ Encouraged, he
continued to write. His collection of short stories, Someone
Like You andits sequel Kiss Kiss were highly
successful. His story The Gremlins was later made into a
film.
~ Sometime
Never, a story of nuclear war,was published in the
US in 1948 by Scribner's, and in England a year later by Collins.
It bombed horribly.
~ In 1953 Dahl married the successful
actress Patricia Neal. At the age of 38, while pregnant with
their fifth child, she had a stroke. They divorced in 1983, and Dahl married Felicity Ann Crossland.
~ In 1961, Dahl
penned James and the Giant Peach. It was first published in the United States, but
took six years before Dahl found a publisher in Britain.
~ In Dahl's
autobiography, BOY:TALES OF CHILDHOOD, he remembers one
of the few happy moments at school when each boy received a plain gray cardboard
box from chocolate manufacturer Cadbury. The boys were asked to
eat and critique the twelve new candy bars inside. Dahl took this assignment very seriously, and used to dream of working in a chocolate company’s invention room.
This was the inspiration behind one of his most popular novels, Charlie
and The Chocolate Factory.
~ In 1983, Dahl's
book The Witches won the Whitbread Children's Book Award.
The judges described it as "deliciously disgusting."
~ During his
career, Dahl received three Edgar Allan Poe Awards and the World Fantasy Convention Lifetime Achievement award.
~ Dahl died of leukemia at his home, Gipsy House, in Great Missenden, Buckinghamshire, at the age of
74. He is buried in the cemetery at the parish church of St. Peter and St. Paul.
When
kids tell a
story—eyes wide, hands flapping—their scenes almost always begin with the words, "And
then ..." Without even thinking about it, these little
ones know how to logically lead from one action to the next as easily as they know
how to mess up a room.
Of
course you, an adult writer, have the perfect right to skip over anything
you choose. It's
your story. But do make sure you leave a clear path for your readers to
follow.
EXAMPLE: For hours Annabelle had tossed and turned, rehearsing the
conversation she would have to have with Charles. When the first glimpse
of sunlight entered her room, she dragged her naked body from bed.
"Get up," she said to
Ethel, running out into the parking lot. "We got to catch him before he
leaves."
CLEANED
UP: For hours Annabelle had tossed and turned, rehearsing the
conversation she would have to have with Charles. When the first glimpse
of sunlight entered her room, she dragged her naked body from bed.
After she dressed and combed her hair in
a ponytail, she went to wake Ethel. "Get up," she said. "We
got to catch him before he leaves."
EXAMPLE: There wasn't a cricket to be heard. Only the distant yelp of a nervous
hound left behind by its sniveling owner. But there was enough moonlight
to hang a man, which was what they'd do if they found us there.
I started a fire in the parlor. Willie
searched the rooms upstairs to make sure we were alone. His heavy boots
pounded the wooden floor, like ten men were up there hammering shingles.
"Will you shut the hell up?" I
yelled. "You gonna have the whole damn Yankee army on our hides."
He grunted, slammed a door, then tossed
his cold coffee on the fire, adding a loud sizzle to the night. That
distant dog stopped barking as if he'd heard it.
Things got really quiet after that.
CLEANED
UP: There wasn't a cricket to be
heard. Only the distant yelp of a nervous hound left behind by its
sniveling owner. But there was enough moonlight to hang a man, which was
what they'd do if they found us there.
I started a fire in the parlor. Willie
searched the rooms upstairs to make sure we were alone. His heavy boots
pounded the wooden floor like ten men were up there hammering shingles.
"Will you shut the hell up?" I
yelled. "You gonna have the whole damn Yankee army on our hides."
I heard him grunt. And slam a door.
Eventually he came back downstairs and had a half cup of coffee.
The other half he threw on the fire, adding a loud sizzle to the night.
That distant dog stopped barking as if he'd heard it.
Things got really quiet after that.
Uncertain
of a piece of your writing?
Send it to us
and we'll clean it up in a future
issue.
In a word, your
writing career in 2005 can best be described as:
PREVIOUS SURVEY
Do you outline
your stories?
Absolutely!
I have to know where I’m going.
- 21% No
way! I like to see where it takes me.-
79%
"To me, it isn't
creative if I outline it." - Carol Standefer
"No,
I never outline. I figure, all the time I spend constructing an
outline could be spent constructing the story." - Betty
Stewart
"Yes,
I always outline. I consider it to be a road map to my work.
Otherwise, I don't know where I'm going or whether I ever get
there." - Robert Green
"Yes,
I outline novels. No, I don't outline short stories. They're an
absolute must with longer pieces, but shorter pieces seem to fall in
place without them." - Kevin Moore
CHALKBOARD
Here's a chance to show off your
writing!
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue.
Approximately 500 words. Any genre. You, of course, retain all rights.
It will remain in The VERB archives until you ask us to remove
it.
Subject:
CHALKBOARD submission
(Feel free to include a bio.)
A GHOST
STORY FOR CHRISTMAS by John Grant
Alas, poor Rudolf,
thought Santa, taking some consolation in the fact that the tears he shed were immediately soaked up by his flowing white
beard ...
Santa sighed. Ever since Rudolf's unfortunate demise while "intercepting" a Yuletide crate of Jack Daniels intended for the White House, the sleigh had pulled to the right thanks to the vacancy at the front.
Alas, poor Rudolf, thought Santa, taking some consolation in the fact that the tears he shed were immediately soaked up by his flowing white beard,
we interred him well. And with that amount of Jack Daniels inside him, his body should survive perfectly preserved so that mayhap the scientists of the future will be able to
resusci...
Just then there was the gentlest of jolts, interrupting the flow of Santa's sad reminiscence.
What in the heck was that?
He had no idea, and the thought slowly faded from his mind. It was only some minutes later that he realized the sleigh's progress across the sky, hitherto somewhat haphazard, had become as smooth and powerful as in days of yore ...
At first glance, writing a children's book seems to be
the easiest writing around. All you have to do is think up a simple little
story, throw in a worthy opponent and a moral, and bam! Before you know it, you're
attending your own movie premiere!
But take a second glance before you buy
that tux or gown. The key to writing for children is to become a child
yourself. Can you stretch back over the years and grab the innocent days
of your youth? Or are you permanently stuck in the adult world?
Take the
quiz below to see if you should be writing for children.
1. Lovable cat, Poxy, has fallen
into a swift river. His friend, Cookie, runs to the bank when she hears
his cries. How would you have Cookie respond?
a) Cookie calls out, "Hold on,
Poxy! I'll save you!" She dives head first into the raging waters.
b) Cookie sighs. "How many times has your mother told you to
stay away from this river? You'll never learn, will you?"
2. Todd and Marty, third-graders,
are in the grocery store. Todd sticks a candy bar in his jeans pocket and
heads for the door. How would you have Marty react?
a) "Put that back, Todd!"
Marty says, glancing over his shoulder. "You're going to get us in
big trouble!"
b) Marty shakes his head. "Your mom and dad work night and day
to give you the good things in life, and this is how you repay them?"
3. A wicked witch kidnaps a
beautiful girl. After binding her with rusty old chains, the witch
approaches her with large scissors, intent on cutting off the girl's
golden locks for an eternal youth serum. How would you have the young girl
react?
a) "Don't come near me, you mean
old hag!" shouts the girl, struggling with the chains around her
wrists. "Go away! Go away!"
b) "Oh, grow up." The girl rolls her eyes.
"Everybody knows there's no such thing as youth serum. You got to
find a qualified plastic surgeon."
4. Swashbucklers Brad and Joey duel
in the street with plastic swords as the neighborhood kids watch. Suddenly
Brad knocks Joey's sword into the air. How would you have Joey react?
a) Joey leaps onto Mr. Crowley's
truck and catches the falling sword with one hand. Cheers erupt all
around. Smiling, he flips over the side of the truck and gives a gracious
bow.
b) To avoid breaking his neck, or scratching
Mr. Crowley's truck, Joey stands still and waits for the plastic sword to fall to
the ground.
5. Bubbles the Hamster is missing
from her cage. Five-year-old Michelle looks all over the house, but can't
find her anywhere. What would you write next?
a) Michelle climbs up on her bed and sobs
into her pillow. Bubbles is the first pet she's ever had, and she loves
the little thing so much. What will she do if she can't find her?
b) Michelle shrugs. "Oh well,"
she says. "There's lots of hiding places in the house. Bubbles
will come out when she's ready."
If you find the B answers
acceptable, you are firmly rooted in the adult world. No nonsense for you.
And that's okay. There are many writing ventures that require that sort of
maturity.
But if you want to create stories for the little ones, you must remember what it was
like to be a little one. Get on your knees. Watch cartoons. Ride a bike.
Climb a tree. Buy some
Crayons and coloring books. Don't try to dazzle
children with your fancy writing, dazzle them with your vivid memory.
Those are the stories that keep them coming back, generation after
generation.
Scrooge
took his melancholy dinner in his usual melancholy tavern; and
having read all the newspapers, and beguiled the rest of the
evening with his banker's-book, went home to bed. He lived in
chambers which had once belonged to his deceased partner. They
were a gloomy suite of rooms, in a lowering pile of building up
a yard, where it had so little business to be, that one could
scarcely help fancying it must have run there when it was a
young house, playing at hide-and-seek with other houses, and
have forgotten the way out again. It was old enough now, and
dreary enough, for nobody lived in it but Scrooge, the other
rooms being all let out as offices. The yard was so dark that
even Scrooge, who knew its every stone, was fain to grope with
his hands. The fog and frost so hung about the black old gateway
of the house, that it seemed as if the Genius of the Weather sat
in mournful meditation on the threshold.