ISSN # 1546-2153

 




INTRODUCTION

FUNNY FILE

WHAT'S ON YOUR DESK?

MAKING A SCENE

SAY WHAT?

A MOMENT IN THE HISTORY OF WRITING

WRITING TIP

LITTLE-KNOWN FACTS ABOUT . . . 

CLEANING UP YOUR PROSE

WEBSITE TIP

JUST CURIOUS 

CHALKBOARD

QUIZ CORNER 

OUR CURRENT CONTEST

FINALLY . . .  A Sample of  Excellence

CONTACT INFO




VERB ARCHIVES

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Do love The VERB. Can't think of a better read over a morning cup of coffee."

- Jeremy Burton 

 

 

 

 

"Thanks for providing writers with useful information. Because of you, I've stepped away from the bestseller list for a while and dove headfirst into the classics." 

- Heather Myers

 

 

 

 

"I appreciate that you guys don't climb on a soapbox. Always, I feel as though you are beside me--not above me, looking down."

- Jo Ann Sizemore

 

 

 

"Hooray for an ezine with a sense of humor! I was beginning to think writers had lost that somewhere along the way. Keep it up!" 

-  John Myrick   

 

 

 

 

"The Verb is becoming my favorite ezine."

  - Bill Jelen

 

 

 

 

"I must say your love of history adds an extraordinary element to the issues. Such sparks of gold remind me what an honorable profession I have chosen to join." 

- William Landau

 

 

 

 

"Fantastic newsletter. I applaud your insight."

- Malcolm Foster

 

 

 

"You bring out the little things I never think about. Keep going! I can't stop reading!"

- Irene Clarke

 

 

 

"Thanks for your help! I'm having one of those "V-8" moments (hit temple with the palm of hand). Of course! Of course! That's how it's done!"

- Jenny Caldwell

 

 

 

"Hey, just got my first VERB and enjoyed it very much. You're the best kept secret on the Internet!"

- John Haydren

 

 

 

"You forced me to give up my online card game, and write!" 

- Kurt Monahan

 

 

 

"Wow! Your ezine makes me feel ashamed for giving up. I can write! And I can get published! Thank you for reminding me that I am, first and foremost, a writer!"

- Karen Hayes 

 

 

 

"Sometimes I'm overwhelmed to see so many newsletters in my mailbox. But I take a deep breath, and open yours first."

- Paula Hempstead

 

 

 

"This is a newsletter that always remembers its point. I like that!"

- Jack Hosmer

 

 

"I want to thank you for simplifying this craft. I have a tendency to over-intellectualize every little thing. You've shown me how to relax and follow the story."  

- Eve Santani

 

 

"I haven't written anything in a while.  I've been avoiding my writing ezines and magazines.  Things have been at a dead stop.  Today, however, I forced myself to read your ezine and had a terrific time.  What a great diversion.  What a terrific kick in the pants. You are to be commended for consistently putting together something so helpful and professional." 

 - Vanessa McDaniel 

 

 

"I just love your ezine. It's easy to read and highly motivating." 

- Carole Henderson

 

 

 

 

"I really enjoyed reading The VERB this morning. Maybe it was because Ray Charles had his songs wrapped around you as you wrote it. Maybe it's because I have finally finished the last rewrite of my novel and am ready to take the next step in the process of writing: submitting to an editor. Thank you. When the weather is gray and oppressive, The VERB is a spot of sunshine." 

- Melody Kincade

 

 

 

 

"I love your newsletter, different than all the others I get. It is wonderful. Always refreshing, among a flood of writer sites, to find one that is truly unique."

 - Albert Melshenker

 

 

 

 

"You got something special here. Don't let the dogs have it!"

   - Howard Dietz 

 

 

 

 

"Today, I read The Verb. Then I wrote for an hour. May not sound like much, but I have twins. Thanks for the encouragement!"

    - Amy Barnes 

 

 

 

 

"Ice Noodle reminds me of an old English professor: waggishly grumpy."

- Trevor Griggs 

 

 

 

 

"Thank you for the writing tips. You guys are doing a good thing."

- Missy Nevins  

 

 

 

 

"Your newsletter, it gave me a boost when I wanted to slam my head in the wall. Appreciate it."

- Anthony Zanaboni 

 

 

 

 

"I appreciate the precise brevity of The Verb. You're passing along excellent tips while at the same time respecting the value of my time."

- William Hosmer

 

 

 

 

"Thank you for illustrating, time and time again, the beauty of pausing before submitting."

-  Melissa Korman

 

 

 

 

"I just wanted to let you know that your
e-mag is awesome! Great work!"

- Beth Ann Erickson

 

 

 

 

"Thanks for helping me to approach my scenes in a whole new way."

 - Stephen Love

 

 

 

 

"I enjoy all the good writing advice you put into The Verb, and I appreciate the time editors like yourself take to create such publications that are helpful to so many."

- Terry Weide

 

 

 

"Mush Pump and Ice Noodle are nuts. Can I borrow them for a while?" 

- Cathy Sinclair

 

 

"I enjoy The Verb immensely because your attitude is so uplifting and your articles so useful (read: written in plain, clear English about things that matter to writers or ought to)."

 - Helen Losse

 

 

"I've always felt like I was a poor proofreader, but after reading a few issues of The VERB, I've found a lot of my own mistakes. Thanks!"

- Violet Wade

 

 

"Thank you for an intelligent, interesting and informative newsletter. I also like the format, which is clean and easy to read. This is definitely one I'll pass on to my weekly writers' group."

  - Maria Murad

 

 

"Thanks so much for a fine publication... always worth the read. I look forward to future issues."

 - Karen Rinehart

 

 

 

 

"The Verb is the best Writing newsletter that I receive. It is clear, concise and doesn't have a lot of unnecessary information.  Also, it is very readable. Some of the newsletters that I subscribe to started off okay, but have deteriorated considerably. Keep it up!"

 - Audrey Danielson

 

 

 

 

 

 

"I don't know you, but I know you put together an informative and classy 'zine. Keep it up!"

 - Arley MacDonald\

 

 

"I'm an Australian based writer, have just subscribed and am thrilled with your site, it's just what I need while editing the last in a saga of three novels I've written over the last four years."

 - Loraine Anderson


      Volume 3,  Issue 16                                                               December 2005


HAPPY HOLIDAYS!
!

 


Brought to you by:

R e a d i n g W r i t e r s 
www.readingwriters.com

 

 

 

INTRODUCTION

Welcome to The VERB!

We had our first snowstorm last week and I was in the middle of it, slipping and sliding like a duck on an ice rink. I don't mind the snow, mind you, I saw enough of it in Denver to jade me forever, but when my car starts sliding away from the predetermined path? Well, that's a whole different piece of cake. I know not to slam on the brakes, I know to steer in the direction of the skid, but these facts do not stop the Southerner within from screaming, You are so about to die! It's a pretty pathetic sight. But I got home safely, each time, and something positive emerged from all that white stuff: it filled us all with Christmas cheer! We're wrapping presents, mailing packages and cooking our heads off. Fa la la la la ... Time to pull out Aunt Ruth's Squash Casserole recipe, roll up some rum balls, wrestle with a 20 lb. turkey and make sure a particular cat stays off the Christmas tree. It's a joyous and hectic time, but as long as nobody gets hurt, I deem it a success.

By the way, here's something fun to do while you're around all those strange family members. Single out one person, someone you don't see very often, and study that person throughout the day. Watch what she eats and doesn't eat, how he carries himself, what tickles her funny bone, how he dresses and combs his hair, her mannerisms, his facial expressions, her speech pattern. At the end of the day, right before you fall into bed bloated and exhausted, jot down what you noticed while it's still fresh on your mind. Ta da! You will possess a ready-made believable character just waiting to infiltrate one of your stories. (Yes, I do this a lot. Does that make me weird?) Oh, and you'll want to change the name, of course. Nothing like a nasty lawsuit to muck up a good story.

I've started a blog. It's a humble little endeavor, dedicated to my dad, who was the oral writer of the family. He had so many sayings, I doubt we'll ever record them all. But I do believe his verbal treasures are worth sharing. Problem is, we don't know the origins of many of them. You can help by dropping in now and then to see if any ring a bell. I'll keep the door open for you. 

~~~

FOR YOUR RESEARCH - Writing For Children
Harold Underdown, at the
Purple Crayon, walks you through the basics of children’s writing and illustrating, and lists valuable resources. 

This site posts the exact words of kids from age 3 to 14 who review Laura Ingalls' books. A great insight into what grabs kids' attention and which topics they like to read. 

If it's been a while since you opened a children's book, get back in the groove by reading along with the beautifully illustrated stories at Reading Is Fundamental. Very cool. 

Finally, your temporary Freedom from Toil is here. It's the holidays! Go be a kid again!

Now, without further ado ... let the action begin!

  


Elizabeth Guy
Editor
My blog!





  
The VERB is   published once a month. It is sent exclusively
 to those who
 requested and
 confirmed a
 subscription. 
To manage yours,
 please scroll down 
to the bottom of
 this ezine.




    



This issue was
 published under the musical influence of

 HARRY CONNICK, JR
When My Heart Finds Christmas


FUNNY FILE

 WHAT'S ON YOUR DESK?

SHARON GREENLEE

Paper 'stuff' has a way of piling up around my writing area. I try to stay neat but it seldom works. On certain days and when I'm in a certain mood, I sweep it all into a box and set it out of sight so that I can tunnel forth on the project at hand. Other times none of the mess bothers me and my mind is like a flashlight, focused straight ahead on whatever I'm writing.

I do have some things though that I purposely add to my sacred space. If I glance up, I see pictures of my family, all of which are my greatest cheerleaders. When I feel discouraged and the words refuse to spill out in the right order, I usually hear one of them say something like, "Take a walk and come back in fifteen minutes ... but COME BACK!"

I like to sip and write, so there is often a cup of hot coffee or herb tea close by. It's always in the same lovely ceramic mug that was given to me by a special friend. The mug rests next to a little stuffed penguin named Percy. He represents the main character in a children's story I wrote a long time ago about a little boy who turns into a penguin. Percy's job is to encourage me to resubmit this crazy-sounding story after one editor told me she felt that Percy "had a home" (just not at their place!). 

Possibly the most unique item that surrounds me when I write is an old perfume bottle, still two-thirds full. It belonged to my grandmother who was a most significant person in my life. When I feel in need of comfort or motivation, I lift that little bottle from the shelf above my computer, close my eyes and breathe in slowly and deeply. I sense her presence and her encouragement ... and then I'm back to work!

 

 


Sharon is a consultant, trainer and seminar leader in the areas of grief and bereavement, creativity writing as therapy, journaling and writing for personal and spiritual growth. She teaches classes in Creativity and Gifted Education as adjunct faculty for the University of Wyoming and has a private counseling practice in Laramie, Wyoming. She is author of When Someone Dies, a loving book of comfort for children and adults who have lost a loved one. Visit her website.

MAKING A SCENE

 


 

 

 

 

 

 

SAY WHAT? Commonly Misused Words

Aggravate means to add to an already troublesome situation.
     
To aggravate his sister's stage fright, he made faces from the front row.

Irritate means to annoy.
     
"If you're trying to irritate me with your lousy singing, you're doing an excellent job."

A MOMENT IN THE HISTORY OF WRITING

In the winter of 1822, on Christmas Eve, a man by the name of Moore took his large family out for a sleigh ride in Greenwich Village. During the ride, he couldn't take his eyes off the roly-poly Dutchman who drove the sleigh. When he arrived home, he sat down at his desk and penned a little poem he thought his kids would enjoy. He called it "A Visit from St. Nicholas." 

It was a big hit in the family. But Moore, a dour straitlaced academe, refused to have the poem published despite its enthusiastic reception. He argued that he, who had published books of poetry, compiled a two-volume lexicon of the Hebrew language and translated Roman Juvenal's works into English, could not possibly stoop so low as to have this silly thing attributed to him.

One day, a young relative copied the poem in her diary, took it home and showed it to her father. He in turn sent it to a newspaper in Troy, New York, who published it in 1823. Other newspapers quickly pounced on the jewel, and soon readers all across the nation were clipping, saving, and even framing the classic tale. Despite its overnight success, however, Moore still refused to openly admit he wrote it. That came 26 years later when he reluctantly included it in a volume of collected works. He then referred to the poem as "a mere trifle."

This mere trifle, better known today by its first line, has become a holiday classic. And the only work anyone remembers from snobbish Professor Clement C. Moore.

 

 

 

Read the poem.

WRITING TIP

When a book achieves phenomenal success, such as Harry Potter, literary agents are bombarded with copycat manuscripts. Don't blow with the popular breeze. Get your story noticed by clinging to originality.

LITTLE-KNOWN FACTS ABOUT . . . 

ROALD DAHL

Born:  September 13, 1916
Died:  
November 23, 1990

 


"Had I not had children of my own, I would have never written books for children, nor would I have been capable of doing so."


 

~ Roald Dahl was born in Llandaff, Wales.

~ His Norwegian parents, Harald and Marie, named him after the explorer Roald Amundsen, a national hero in Norway.

~ Roald’s mother died when he was very young. An older sister also died of complications from appendicitis.

~ In 1911, Roald’s father married Sofie Hesselberg. Four years later, Harald died, leaving Roald in the custody of his stepmother. She was so determined to carry out her husband’s wish, that his children receive an English education, she sold all her jewelry to pay for Roald's tuition at Repton, a private school in Derbyshire. 

~ Roald hated schools in Wales and England, and those who ruled them. He was appalled by the fact that masters and senior boys were allowed to wound other boys. These experiences greatly influenced the stories he later wrote. 

~ At eighteen, Dahl didn’t want to go to college, he wanted to travel. He joined an expedition to Newfoundland. Then back in England, he took a job with the Shell Company which sent him all the way to Tanzania. 

~ When World War II broke out, Dahl served in the Royal Air Force (RAF) in Greece, Syria and Libya, where he was shot down. While recovering from his head wounds, he had strange dreams that later found their way into his stories.

~ After the war, Dahl began to write about his RAF adventures. The Saturday Evening Post bought his short story, "A Piece of Cake," and paid him $1,000 for it. 

~ Encouraged, he continued to write. His collection of short stories, Someone Like You and its sequel Kiss Kiss were highly successful. His story The Gremlins was later made into a film. 

~ Sometime Never, a story of nuclear war, was published in the US in 1948 by Scribner's, and in England a year later by Collins. It bombed horribly. 

~ In 1953 Dahl married the successful actress Patricia Neal. At the age of 38, while pregnant with their fifth child, she had a stroke. They divorced in 1983, and Dahl married Felicity Ann Crossland. 

~ In 1961, Dahl penned James and the Giant Peach. It was first published in the United States, but took six years before Dahl found a publisher in Britain. 

~ In Dahl's autobiography, BOY:TALES OF CHILDHOOD, he remembers one of the few happy moments at school when each boy received a plain gray cardboard box from chocolate manufacturer Cadbury. The boys were asked to eat and critique the twelve new candy bars inside. Dahl took this assignment very seriously, and used to dream of working in a chocolate company’s invention room. This was the inspiration behind one of his most popular novels, Charlie and The Chocolate Factory.

~ In 1983, Dahl's book The Witches won the Whitbread Children's Book Award. The judges described it as "deliciously disgusting." 

~ During his career, Dahl received three Edgar Allan Poe Awards and the World Fantasy Convention Lifetime Achievement award. 

~ Dahl died of leukemia at his home, Gipsy House, in Great Missenden, Buckinghamshire, at the age of 74. He is buried in the cemetery at the parish church of St. Peter and St. Paul.  

  


Roald Dahl's Official Website
Roald Dahl Children's Gallery  
Roald Dahl Foundation. 

CLEANING UP YOUR PROSE

When kids tell a story—eyes wide, hands flapping—their scenes almost always begin with the words, "And then ..." Without even thinking about it, these little ones know how to logically lead from one action to the next as easily as they know how to mess up a room.  

Of course you, an adult writer, have the perfect right to skip over anything you choose. It's your story. But do make sure you leave a clear path for your readers to follow.

 


 

EXAMPLE:
For hours Annabelle had tossed and turned, rehearsing the conversation she would have to have with Charles. When the first glimpse of sunlight entered her room, she dragged her naked body from bed. 

"Get up," she said to Ethel, running out into the parking lot. "We got to catch him before he leaves."

CLEANED UP:
For hours Annabelle had tossed and turned, rehearsing the conversation she would have to have with Charles. When the first glimpse of sunlight entered her room, she dragged her naked body from bed. 

After she dressed and combed her hair in a ponytail, she went to wake Ethel. "Get up," she said. "We got to catch him before he leaves."

 

EXAMPLE:
There wasn't a cricket to be heard. Only the distant yelp of a nervous hound left behind by its sniveling owner. But there was enough moonlight to hang a man, which was what they'd do if they found us there. 

I started a fire in the parlor. Willie searched the rooms upstairs to make sure we were alone. His heavy boots pounded the wooden floor, like ten men were up there hammering shingles.

"Will you shut the hell up?" I yelled. "You gonna have the whole damn Yankee army on our hides."

He grunted, slammed a door, then tossed his cold coffee on the fire, adding a loud sizzle to the night. That distant dog stopped barking as if he'd heard it.

Things got really quiet after that.

CLEANED UP:
There wasn't a cricket to be heard. Only the distant yelp of a nervous hound left behind by its sniveling owner. But there was enough moonlight to hang a man, which was what they'd do if they found us there. 

I started a fire in the parlor. Willie searched the rooms upstairs to make sure we were alone. His heavy boots pounded the wooden floor like ten men were up there hammering shingles.

"Will you shut the hell up?" I yelled. "You gonna have the whole damn Yankee army on our hides."

I heard him grunt. And slam a door. Eventually he came back downstairs and had a half cup of coffee. The other half he threw on the fire, adding a loud sizzle to the night. That distant dog stopped barking as if he'd heard it.

Things got really quiet after that.

 

 


Uncertain of a piece of your writing? 
Send it to us
and we'll clean it up in a future issue.

WEBSITE TIP

Regularly freshen up your pages. Search engines like to see that a site isn't squatting year after year with no upgrades. 

JUST CURIOUS ~ Survey 

In a word, your writing career in 2005 can best be described as: 

   Fruitful                  Educational

   Promising              Depressing

    
Poll remains open till January 29, 2006 

  

PREVIOUS SURVEY
Do you outline your stories?

Absolutely! I have to know where I’m going. - 21% 
No way! I like to see where it takes me.- 79%

 

"To me, it isn't creative if I outline it." - Carol Standefer

"No, I never outline. I figure, all the time I spend constructing an outline could be spent constructing the story." - Betty Stewart

"Yes, I always outline. I consider it to be a road map to my work. Otherwise, I don't know where I'm going or whether I ever get there." - Robert Green

"Yes, I outline novels. No, I don't outline short stories. They're an absolute must with longer pieces, but shorter pieces seem to fall in place without them." - Kevin Moore  

CHALKBOARD

Here's a chance to show off your writing! 
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue. Approximately 500 words. Any genre. You, of course, retain all rights. It will remain in The VERB archives until you ask us to remove it.

Subject: CHALKBOARD submission
(Feel free to include a bio.)


   

 A GHOST STORY FOR CHRISTMAS
by
John Grant

Alas, poor Rudolf, thought Santa, taking some consolation in the fact that the tears he shed were immediately soaked up by his flowing white beard ...

 

Santa sighed. Ever since Rudolf's unfortunate demise while "intercepting" a Yuletide crate of Jack Daniels intended for the White House, the sleigh had pulled to the right thanks to the vacancy at the front.

Alas, poor Rudolf, thought Santa, taking some consolation in the fact that the tears he shed were immediately soaked up by his flowing white beard, we interred him well. And with that amount of Jack Daniels inside him, his body should survive perfectly preserved so that mayhap the scientists of the future will be able to resusci...

Just then there was the gentlest of jolts, interrupting the flow of Santa's sad reminiscence.

What in the heck was that?

He had no idea, and the thought slowly faded from his mind. It was only some minutes later that he realized the sleigh's progress across the sky, hitherto somewhat haphazard, had become as smooth and powerful as in days of yore ...

       

 


© 2005 John Grant

Consultant Editor, AAPPL
US Reviews Editor, Infinity Plus
View my discussion board
. 

QUIZ CORNER  

SHOULD YOU WRITE FOR CHILDREN?

 

At first glance, writing a children's book seems to be the easiest writing around. All you have to do is think up a simple little story, throw in a worthy opponent and a moral, and bam! Before you know it, you're attending your own movie premiere!

But take a second glance before you buy that tux or gown. The key to writing for children is to become a child yourself. Can you stretch back over the years and grab the innocent days of your youth? Or are you permanently stuck in the adult world? 

Take the quiz below to see if you should be writing for children.

 


 

1.  Lovable cat, Poxy, has fallen into a swift river. His friend, Cookie, runs to the bank when she hears his cries. How would you have Cookie respond?

     a)  Cookie calls out, "Hold on, Poxy! I'll save you!" She dives head first into the raging waters.
     b)  Cookie sighs. "How many times has your mother told you to stay away from this river? You'll never learn, will you?"

 

2.  Todd and Marty, third-graders, are in the grocery store. Todd sticks a candy bar in his jeans pocket and heads for the door. How would you have Marty react?

     a)  "Put that back, Todd!" Marty says, glancing over his shoulder. "You're going to get us in big trouble!"
     b)  Marty shakes his head. "Your mom and dad work night and day to give you the good things in life, and this is how you repay them?"

 

3.  A wicked witch kidnaps a beautiful girl. After binding her with rusty old chains, the witch approaches her with large scissors, intent on cutting off the girl's golden locks for an eternal youth serum. How would you have the young girl react?

     a)  "Don't come near me, you mean old hag!" shouts the girl, struggling with the chains around her wrists. "Go away! Go away!"
     b)  "Oh, grow up." The girl rolls her eyes. "Everybody knows there's no such thing as youth serum. You got to find a qualified plastic surgeon."

 

4. Swashbucklers Brad and Joey duel in the street with plastic swords as the neighborhood kids watch. Suddenly Brad knocks Joey's sword into the air. How would you have Joey react?

     a)  Joey leaps onto Mr. Crowley's truck and catches the falling sword with one hand. Cheers erupt all around. Smiling, he flips over the side of the truck and gives a gracious bow.
     b)  To avoid breaking his neck, or scratching
Mr. Crowley's truck, Joey stands still and waits for the plastic sword to fall to the ground.

 

5.  Bubbles the Hamster is missing from her cage. Five-year-old Michelle looks all over the house, but can't find her anywhere. What would you write next?

     a)  Michelle climbs up on her bed and sobs into her pillow. Bubbles is the first pet she's ever had, and she loves the little thing so much. What will she do if she can't find her?
     b)  Michelle shrugs. "Oh well," she says. "There's lots of hiding places in the house. Bubbles will come out when she's ready."

 


 

If you find the B answers acceptable, you are firmly rooted in the adult world. No nonsense for you. And that's okay. There are many writing ventures that require that sort of maturity.

But if you want to create stories for the little ones, you must remember what it was like to be a little one. Get on your knees. Watch cartoons. Ride a bike. Climb a tree. Buy some Crayons and coloring books. Don't try to dazzle children with your fancy writing, dazzle them with your vivid memory. Those are the stories that keep them coming back, generation after generation.

 

 


© 2005 Elizabeth Guy

OUR CURRENT CONTEST

FINALLY . . .  A Sample of Excellence

      

  Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the newspapers, and beguiled the rest of the evening with his banker's-book, went home to bed. He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again. It was old enough now, and dreary enough, for nobody lived in it but Scrooge, the other rooms being all let out as offices. The yard was so dark that even Scrooge, who knew its every stone, was fain to grope with his hands. The fog and frost so hung about the black old gateway of the house, that it seemed as if the Genius of the Weather sat in mournful meditation on the threshold.

  

                         - CHARLES DICKENS 
A Christmas Carol 

 

 

 CONTACT / SUBSCRIPTION INFO

© 2005 ReadingWriters. All rights reserved. This ezine is a labor of love, and may not be reproduced without permission. All correspondence should be sent to Elizabeth Guy.

The VERB 

subscribe     unsubscribe
We do not give, rent or sell your email address.