ISSN # 1546-2153

 




INTRODUCTION

FUNNY FILE

WHAT'S ON YOUR DESK?

MAKING A SCENE

SAY WHAT?

A MOMENT IN THE HISTORY OF WRITING

WRITING TIP

LITTLE-KNOWN FACTS ABOUT . . . 

CLEANING UP YOUR PROSE

WEBSITE TIP

JUST CURIOUS 

CHALKBOARD

ASK THE COMPUTER GUY 

QUIZ CORNER 

OUR CURRENT CONTEST

FINALLY . . .  A Sample of  Excellence

CONTACT INFO




VERB ARCHIVES

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Sometimes I'm overwhelmed to see so many newsletters in my mailbox. But I take a deep breath, and open yours first."

- Paula Hempstead

 

 

 

"This is a newsletter that always remembers its point. I like that!"

- Jack Hosmer

 

 

 

"I want to thank you for simplifying this craft. I have a tendency to over-intellectualize every little thing. You've shown me how to relax and follow the story."  

- Eve Santani

 

 

 

"I haven't written anything in a while.  I've been avoiding my writing ezines and magazines.  Things have been at a dead stop.  Today, however, I forced myself to read your ezine and had a terrific time.  What a great diversion.  What a terrific kick in the pants. You are to be commended for consistently putting together something so helpful and professional." 

- Vanessa McDaniel 

 

 

 

"I just love your ezine. It's easy to read and highly motivating." 

- Carole Henderson

 

 

 

"I really enjoyed reading The VERB this morning. Maybe it was because Ray Charles had his songs wrapped around you as you wrote it. Maybe it's because I have finally finished the last rewrite of my novel and am ready to take the next step in the process of writing--submitting to an editor. Thank you. When the weather is gray and oppressive, The VERB is a spot of sunshine." 

- Melody Kincade

 

 

"I love your newsletter, different than all the others I get. It is wonderful. Always refreshing, among a flood of writer sites, to find one that is truly unique."

 - Albert Melshenker

 

 

"You got something special here. Don't let the dogs have it!"

   - Howard Dietz 

 

 

"Today, I read The Verb. Then I wrote for an hour. May not sound like much, but I have twins. Thanks for the encouragement!"

    - Amy Barnes 

 

 

"Ice Noodle reminds me of an old English professor: waggishly grumpy."

- Trevor Griggs 

 

 

"Thank you for the writing tips. You guys are doing a good thing."

- Missy Nevins  

 

 

"Your newsletter, it gave me a boost when I wanted to slam my head in the wall. Appreciate it."

- Anthony Zanaboni 

 

 

"Had to tell you--The Verb is exactly what I need."

   - Alice McClure

 

 

"I appreciate the precise brevity of The Verb. You're passing along excellent tips while at the same time respecting the value of my time."

- William Hosmer

 

 

"Thank you for illustrating, time and time again, the beauty of pausing before submitting."

-  Melissa Korman

 

 

"I just wanted to let you know that your
e-mag is awesome! Great work!"

- Beth Ann Erickson

 

 

"Thanks for helping me to approach my scenes in a whole new way."

 - Stephen Love

 

 

"I enjoy all the good writing advice you put into The Verb, and I appreciate the time editors like yourself take to create such publications that are helpful to so many."

- Terry Weide

 

 

"I don't put off reading the VERB, unlike some other newsletters. When I see it in my inbox, I open it right then and there!"

- Jonathan Orr

 

 

"Mush Pump and Ice Noodle are nuts. Can I borrow them for a while?" 

- Cathy Sinclair

 

 

"I really enjoy your ezine. It's unique."

- Dale Thornberry

 

 

"I enjoy The Verb immensely because your attitude is so uplifting and your articles so useful (read: written in plain, clear English about things that matter to writers or ought to)."

 - Helen Losse

 

 

"I just found you! And I've already found a couple of  answers to my writing problems! Thanks so very much!"

- Althea Black

 

 

"I could go on and on about the ways in which your ezine has helped me. But I guess what I really want to say is thanks for the hope!"

- Tom Evenson  

 

 

"I've always felt like I was a poor proofreader, but after reading a few issues of The VERB, I've found a lot of my own mistakes. Thanks!"

- Violet Wade

 

 

"Most entertaining! Hats off to you!"

 - Mark Shipman

 

 

"Love it! Love it! Love it! Pardon the cliché, but The VERB is a breath of fresh air!"

   - Betty Peterson

 

 

"Thank you for an intelligent, interesting and informative newsletter. I also like the format, which is clean and easy to read. This is definitely one I'll pass on to my weekly writers' group."

  - Maria Murad

 

 

"Who said learning can't be funny? I always finish The VERB with a smile. Thanks!"

-  Mark Goldberg

 

 

"I like The VERB's style!"

 - Delores McClure

 

 

"It's exciting to find an ezine with a laser-beam eye on the basics. I never tire of reading it." 

- Evelyn Walker

 

 

"Because of The VERB, my writing has become fun again!"

     - Howie Duncan

 

 

"The VERB rocks! I've learned so much! Thanks for helping me to write better!"

       - Debra Baker

 

 

"Thanks so much for a fine publication... always worth the read. I look forward to future issues."

 - Karen Rinehart

 

 

"The Verb is the best Writing newsletter that I receive. It is clear, concise and doesn't have a lot of unnecessary information.  Also, it is very readable. Some of the newsletters that I subscribe to started off okay, but have deteriorated considerably. Keep it up!"

 - Audrey Danielson

 

 

"I don't know you, but I know you put together an informative and classy 'zine. Keep it up!"

 - Arley MacDonald\

 

 

"I'm an Australian based writer, have just subscribed and am thrilled with your site, it's just what I need while editing the last in a saga of three novels I've written over the last four years."

 - Loraine Anderson

 

 

"... Important lessons in such a concise presentation!"

   - David Marshall 

 

 

"What a great publication! It's so varied and interesting!"

  - Leslie Godwin

 

 

"A friend just forwarded your latest issue. Very impressive!"

      - Jennifer Minar

 


Volume 3   Issue 7                                                                                                        April 11, 2005

 


Brought to you by:

R e a d i n g W r i t e r s 
www.readingwriters.com

 

 

INTRODUCTION

Welcome to The VERB!

Now that I'm thawing out from a cold harsh winter, I'm having a difficult time keeping my behind planted at my desk. I know I have work to do, but the sun and the sky and the wind and the birds and the flowers won't leave me alone. So, to celebrate this time of year, the issue before you is pure fun. If something in here doesn't make you laugh, why, I'll give you a banana Popsicle! 

FOR YOUR FUN
The Snooze -
Online comedy magazine that started as a letter from Catherine Rubino--author, stand-up performer and TV comedy writer. 

Check out James S. Huggin's Refrigerator door. There's enough fun things here to keep you reading for hours! After you've finished that scene, of course.

Submit a dumb story to comedian Jeff Foxworthy.

Browse funny definitions of funny words, and even submit your own at WitWords. 

Finally, what writer can resist the best word game of all? Go to Scrabble Blast. Click "play online" and start forming words immediately.  

Now, without further ado ... let the action begin!

 


Elizabeth Guy
Editor





   The VERB is   published every 
other Monday. It 
is sent exclusively
 to those who
 requested and
 confirmed a
 subscription. To
 manage yours,
 please scroll down 
to the bottom of
 this ezine.




    



This issue was
 published under the
 musical influence of

BILLIE HOLIDAY
Lady In Satin



FUNNY FILE

     

WHAT'S ON YOUR DESK?

DAVID LEONHARDT

 

Mostly a mess. 

I see a calculator, a pair of scissors, charts to keep track of the things that the charts below them failed to keep track of, that the charts underneath did just as poor a job at. 

There are a few drawings and collages from my three-year-old, some loose change (ever see tight change?), a nail clipper (better than teeth!), a calendar for tracking my hours, the satellite modem (which occasionally works).

And almost $4.76 of collected dust. Like loose change, I never really cash in on the dust; once every month or two I throw it all away.

 

 


David Leonhardt is The Happy Guy.
Visit his websites for:
Website marketing, SEO and writing
Happiness and personal growth
Health and nutrition

(613) 448-1841

 MAKING A SCENE

 


 

 

 

 

 

 

 

 

SAY WHAT? Commonly Misused Words

All together means all at the same time; a group acted or were acted upon collectively. 
    "The books lay all together in a heap."

Altogether means on the whole; in all.
    "
It was altogether different than what we expected."

A MOMENT IN THE HISTORY OF WRITING

                                  In 1949, longtime comedian Ed Wynn came down with a cold. As the star of NBC's The Ed Wynn Show, he worried his medicine would make him forget his lines. Barney McNulty, an usher at NBC, volunteered to help. He stayed up until 4 a.m. writing the show's entire script on cardboard sheets so Wynn wouldn't miss a word. The next day, he also stood beside the camera and flipped the cards. 

Word spread fast about this new "invention." Before long, Barney had his own freelance cue card business called Ad-Libs. He found himself providing the right line at the right time for all the top comedians of the day, including Bob Hope, George Burns, Lucille Ball, Groucho Marx and Jimmy Durante. He also cued John Wayne, Orson Welles, Fred Astaire, even vice president Hubert Humphrey and poet Carl Sandburg. 

When Bob Hope flew abroad to entertain the troops, McNulty was right there with him. He oversaw the transporting of 3,000 to 5,000 pounds of cue (or "idiot") cards, putting the right ones aboard helicopters for specific shows, and then flipping them in proper sequence. He became a backstage fixture in Hope's entourage, ready and willing to quickly print up new cards to accommodate any sudden script changes. 

By the end of his career, McNulty had saved more than 100,000 of the used cards "because it's a continuing history of show business." 

Despite the invention of the TelePrompTer, cue cards are still used today. Particularly when performers don't wish to look directly into the camera.
 

WRITING TIP

The funniest jokes contain
 an element of truth.

LITTLE-KNOWN FACTS ABOUT . . . 

GROUCHO MARX

Born: October 2, 1890 
Died:
August 19, 1977 


"From the moment I picked up your book until I laid it down, I was convulsed with laughter. Some day, I intend reading it."


 

~  Julius Henry Marx was born in New York City.

~  The third child of five boys, Julius grew up in a poor but loving home. His parents assumed opposite roles. Frenchie Marx, a stay-at-home dad, worked inside the house as an unsuccessful tailor. Minnie Marx worked outside the home as promoter for her brother, the famous vaudeville comedian Al Shean.

~  Julius enjoyed reading and writing, but he dropped out of grammar school. He also enjoyed a gifted singing voice. This trait would lead him to the stage. 

~  In the summer of 1905, Julius got his first job in show business as a boy soprano with the Leroy Trio. Later, he joined Gus Edwards' Postal Telegraph Boys at the Alhambra Theater in New York, performing in shows and revues. 

Eventually, four of his brothers joined the show, evolving into the vaudeville act known as the Marx Brothers. Julius became the creative director, writer and front man of the team.

~  There are two versions of how Julius became "Groucho." One says it came from his general disposition. Fed up with his early audiences, he began to throw jokes and insults into the act, directly addressing the crowd in a hilariously nasty manner. The other says it came from the Marx Brothers' early days in vaudeville when he was keeper of the act's money purse or "grouch-sack." 

~  In 1920, Groucho married Ruth Johnson. A year later, a son was born.  

After twenty years of touring the country, the Marx Brothers found success with a musical comedy called "I'll Say She Is." Audiences and critics loved the irreverent humor, the expert pantomime, the wisecracks, the physical schtick, the outrageous musical talent.

"Dad, the garbage man is here." 
"Tell him we don't want any."

~  Once, when Groucho couldn't find his prop mustache, he rapidly painted one on with greasepaint. He kept the look ever afterward, despite efforts by certain film directors to make him use a realistic mustache. 

~  Groucho suffered from insomnia due to the financial loss he suffered in the stock market crash. When he couldn't sleep, he used to call people up in the middle of the night and insult them.

~  In 1930, Groucho and his brothers moved to Hollywood. There, they made eleven movies. 

~  During this time, Groucho and Ruth divorced. He then married Kay Gorcey in 1945, and they had a daughter together. 

~  After the Marx's heyday, Groucho launched a career on radio and television as the host of the comedy quiz show "You Bet Your Life." The show flourished for fourteen highly-rated seasons from 1947 to 1961. 

"I would like to say good-bye to your wife." 
"Who wouldn't?"

~  In 1950, Groucho and Kay divorced. Groucho married again a few years later, but that marriage also ended in divorce.

Groucho always considered himself a writer first, a comedian second. Over the years he turned out several witty books and articles. He wrote two autobiographies Groucho and Me and Memoirs of a Mangy Lover.

He was gratified in the '60s when his book, The Groucho Letters, was installed in the Library of Congress--quite an accomplishment for a man who never finished grade school. 

~  Groucho died of pneumonia at Cedars Sinai Medical Center at the age of 87. Due to the furor over Elvis's death, three days earlier, the media paid little attention to the passing of the comic genius. His ashes are at Eden Memorial Park, San Fernando, California. 

~  Shortly after his funeral, Groucho's children found a letter he had forgotten to give them. Turned out he wanted to be buried on top of Marilyn Monroe.

 

CLEANING UP YOUR PROSE

Plots are created from a writer's imagination, but they should flow as if yanked from reality. Point A should move to Point B which moves to Point C and so forth. If this natural flow doesn't appear in our made-up worlds, readers might suspect some awkward plotting is going on. 

Avoid building false suspense. If you must delay a scene for another chapter, provide a believable reason for it. 

 


 

Example:
Tammy felt her heart crumble along with the paper in her hands. Barry in love with another woman? Fine. She knew exactly what to do. Something he would never expect. But it had been a long day. She would take a nap first. 

Cleaned up:
Tammy felt her heart crumble along with the paper in her hands. Barry in love with another woman? She grabbed the phone, but then stopped herself. No, this conversation had to be held face to face. 

 

Example:
"Chad got the footage!" Marla said, jumping up and down. "We'll blow the lid off this case tonight!"
"Yes!" Mike jabbed the air a few times. "But first, let's get a bite to eat!"

 

Cleaned up:
"Chad got the footage!" Marla said, jumping up and down. "We'll blow the lid off this case tonight!"
"Yes!" Mike jabbed the air a few times. "Let's hit it, people!"
The cheering crowd ran out to the van. But the cheers soon turned to groans when, under the streetlight, they saw the flat tire. 
 

 

Example:
There it was, in black ink. The marriage license had misspelled her name. Did this mean Esther was married or not? She didn't know, but she vowed to find out as soon as she finished cleaning up the attic. 

Cleaned up:
There it was, in black ink. The marriage license had misspelled her name. Did this mean Esther was married or not? She vowed to find out now. 
The third step, the one she had earlier told herself to avoid, gave way beneath her foot and she tumbled down the stairs. When she finally settled, her right foot rested at a most unnatural angle.

 

 

 


Uncertain of a piece of your writing? 
Send it to us
and we'll clean it up in a future issue.

WEBSITE TIP

What's obvious to you may not be obvious to your visitors. Whenever you receive a "stupid" question, don't get irritated. Get busy clarifying your site's content! 

JUST CURIOUS ~ Survey 

Are you happy?

   You betcha          Not by a long shot          I could be if ...  

    

    
Poll remains open till April 24, 2005  

  

PREVIOUS SURVEY
Do you cull crime-story ideas from the news?

 Never - 30%
Once or twice  68%
All the time - 2%

 

"I get an idea from the news, but by the time I remove all the parts that could get me sued, I pretty much have another story." - Steve Wick

"No, that's cheating. I have to come up with the whole thing or it isn't mine." - Donna Paschall

"I haven't up to now, but you've given me ideas. Thanks!" - Roger Alpirin

"As for the method, yes, I've culled a few from the headlines. But the people surrounding the crime is always original. Do you hear that, lawyers? Original!"  - Stella Malone

CHALKBOARD

Here's a chance to show off your writing! 
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue. Approximately 500 words. Any genre. You, of course, retain all rights. It will remain in The VERB archives until you ask us to remove it.

Subject: CHALKBOARD submission
(Feel free to include a bio.)


   THE GREAT HILL PEOPLE
by
Gina R. Shongo

"Your hair is sick; it’s heavy with filth, too heavy for your neck to carry."

 

       The first light of dawn began to penetrate the thick boughs of Hemlock. A mist clung to the surface of Mother Earth, reluctant to give up the night. Deganewidah walked in moccasins scarred from many paths taken. He was dressed for the chilly morning, long sleeves and leggings decorated here and there with painted quills. His braids fell gracefully to his waist belt, which was devoid of weapons of war. His eyes swept the landscape, silently searching like the Skybird on a hunt.

      He came upon a small pond, and spotted what he was searching for. On the other side lay a prone body. He watched closely to make sure the man was still breathing; he was. It was time to build a fire.

      He withdrew his pump drill, and carefully placed the foot of the weighted spindle in a piece of dry driftwood. The top slid into a greased socket chiseled into a palm-sized stone. A bow and slack string were securely fastened to the spindle. Deganewidah twisted the string and pressed down on the bow. The spindle began to wind furiously. The dry driftwood soon ignited and he threw on some dry grass. His efforts were rewarded with a tiny flame that he transferred to a small fire pit.

      He sat close to the warm flames, eyes ever watchful of the man across the pond. He ceremoniously crossed his legs and removed his parfleshe, from which he withdrew his wooden bowl and spoon, and set them down on the earth. He placed several small, red stones near the fire to absorb heat.

      Next he withdrew several color-coded pouches of sacred medicine, some were to burn to raise prayers to the ear of the divine, and others were to heal. He separated these as such. A turtle rattle was produced, and he slowly began a solemn chant.

      A dark pillar of medicine-smoke rose into the sky, where the Spirits of the Ancestors walked. He felt them look upon him. He stood and filled his bowl with water from the pond, and added sacred medicine. Carefully protecting his fingers with his sleeves, he placed the heated rocks in the bowl and moved them about.

      As if on cue, the man across the pond stirred and weakly moaned. Deganewidah removed the stones from the bowl, and slowly walked around the pond, gingerly holding the mixture out in front of him. He knelt down next to Atotarho. A flailing arm clamped onto him, binding the two men together. Deganewidah pulled Atotarho to his knees, and pressed the bowl to his lips. The man drank the bowl dry, and then sat back on his haunches, head down, eyes closed.

      "The m-m-medicine will help the pain in your head," Deganewidah said.

      Atotarho dug his fingers into his temple and rubbed furiously. "Who are you?"

      "Deganewidah."

      Atotarho squinted up at him. His eyes were rimmed in bright red, his eyeballs a lighter shade of pink. "Long Braids, what do you want from me?"

      "I have medicine for the pain in your neck."

      "I drank it. You can go now."

      "What you drank was only a blanket. The real pain lies beneath your skin--in your bones."

      Atotarho stood, bones popping unnaturally. Deganewidah was pleased to see the mild pain medicine begin to work. "It’s your hair," he said.

      Atotarho looked at him incredulously.

      "Your hair is sick; it’s heavy with filth, too heavy for your neck to carry."

      "You followed me here to tell me to cut my hair?"

      "And to tell you that the confederacy needs you. You alone have the power to make the people as one."

      "I have the power to annihilate them."

      "They know that, and will not b-b-betray the council fire that burns in your village, and it will never leave the Onundagaono. Even The Great Hill People, whose numbers are many, will strengthen us. We will stretch to the Great Waters and b-b-beyond, one land, one n-nation."

      Deganewidah expected more protest, but it didn’t come.

      "And the council fire will never leave the Onundagaono."

      "You will be Faithkeeper-Sachem, and all of those who follow you will bear your name."


      Atotarho felt his resolve slipping. His pain was minimal, and he could think a bit clearer. The idea of gaining power through an alliance was appetizing, more appetizing than standing in front of Long Braids on shaky legs.

      "Go back to the village. We’ll counsel tonight."

      Long Braids remained silent. It was good. Atotarho reached for his waist belt, and felt the lump of his knife. Long Braids nodded and turned to leave. Atotarho caressed the knife and withdrew it.

      "Before the council, you and I will meet in my lodge."

      "I’ll be waiting," Long Braids said, and left the grove.

      Atotarho felt the edge of the blade. It was sharpened to perfection. He grabbed a lock of stinking tangles, and sheared it off down to the roots. He tested its weight, and quickly sliced off another lock, then another, and another.

      His scalp bare, he shook his head. It was lighter. This Long Braids may not be a total fool after all. He chuckled loudly.

      "Long Braids!" he shouted into the cool morning air. "You combed the snakes out of my hair!"

 

 


© 2005 Gina R. Shongo

Gina is a writer who became a Speech-Language Pathologist after overwhelming advice to find a paying job. Even though she loves her "job," she still has these stories inside her screaming to get out. This excerpt is from her first novel, "The Great Hill People," of which she is on her umpteenth rewrite. But this time, it's for an interested publisher.

ASK THE COMPUTER GUY

These days, computers have become the preferred medium for most writers. With a few clicks of the mouse, we are able to delete, rewrite, cut and paste with a speed and ease never imagined before with a typewriter, let alone pad and pen. But due to the intimidating nature of this vast writing tool, some of its benefits remain idle. Never fear! My husband Jim Guy, a certified computer genius, is here to help.

 

I can’t explain why Spring time and learning go together inside my head, but they do. Since it’s decidedly Spring in our part of the world, let me tell you about Microsoft’s training website where they have very good free training materials. They also put on incredibly helpful in-person seminars for a price. 

Let me introduce you to their training website for Office. Here’s the link to the Microsoft Office training materials. 

Today, you may be looking for tips on using Word. Tomorrow, right after you take a starter course on Publisher, you may be strolling through the Spring Tulips. See how versatile they are on this website?

I was nosing around Microsoft looking up how to protect my Word documents. I found this link for a short training course that shows how to lock my documents from changes by others, how to scrub them clean from containing personal information and hidden text or even how to keep people from printing or distributing my document. 

Tell me as a writer that didn’t get your attention just a little.

 

 


Submit your question to COMPUTER GUY!  

QUIZ CORNER  

WHAT TICKLES YOUR FUNNY BONE?


No matter the genre, or the seriousness of the topic, all writing can stand a sense of humor. It's a well-known fact that laughter lowers the blood pressure and lifts the spirit. It can also drive home a message quicker than a cleverly constructed sermon.

So how do you know whether you've written something funny? Humor is subjective, so there's no tickling everyone. But if you laugh, chances are very good that others will laugh as well. And the type of humor that makes you laugh is probably the type in which you will excel.

Take the quiz below to find your type of humor. 

 


1. Overworked Rick rushes to the curb to hail a cab. Another fellow reaches the cab at the same time. How do you make this funny?

     a)  Rick knocks the fellow into a puddle, then climbs inside.
     b)  "Move it or die, pal!"
     c)  The ghost of Johnny Carson climbs up on the taxi's hood and orders all traffic to stop.
     d)  Rick imitates the rude thoughts the fellow must be thinking.

2.  Bride Carolyn takes her father's arm as she waits to walked down the aisle to a man she doesn't love. How do you make this funny?

     a)  Carolyn trips over her gown, sprains an important muscle and is rushed to the hospital, the entire wedding party following.
     b)  "God help me, I'd rather marry the florist. And he's gay."
     c)  Carolyn's bouquet begins to talk to her, forcing her to run out of the church. 
     d)  Carolyn reaches the altar, but mimics the groom until he stops the ceremony.

3.  Divorcing couple Wayne and Nicole are locked in a closet. How do you make this funny?

     a)  They rattle the doorknobs, try to climb the walls and step over each other to get to the ceiling.
     b)  "So, Satan, how do you propose we get out of here?"
     c)  The opposite wall slides open, revealing a loud, flashing disco.
     d)  Assuming the other's characteristics, they re-live the last days of their marriage.

4.  Skater Katrina wakes in the hospital and learns she has a broken leg. How do you make this funny?

     a)  Katrina rolls out of bed, uses her arms to scoot down the hall and orders the nurse to hand over her car keys.
     b)  "I want a second opinion."
     c)  Katrina's family pops out of the bathroom, yells "Surprise! We actually broke your leg so we could redecorate your kitchen!"
     d)  Katrina becomes her favorite TV doctor, barking orders and overusing the word "Stat!"

5.  New school bus driver Amy gets lost in downtown traffic. How do you make this funny?  

     a)  Amy stops the bus, leaps over vehicles and runs for her life.
     b)  "Hold on, kiddies, and think of Disneyland."
     c)  A nearby crane lifts the bus out of traffic and carries it back to school.
     d)  Amy pretends she's Mr. Rogers, singing songs and playing games until she finds a familiar street.

 


 

Slapstick ~ If you chose the A answers, you enjoy physical comedy. The more your characters move, the more you laugh.

One-liners ~ If you chose the B answers, you enjoy quick sarcastic quips. The more your characters shoot from the hip, the more you smile.

Farce ~ If you chose the C answers, you enjoy absurd situations. The more your characters reach beyond the norm, the more you're on the floor. 

Parody ~ If you chose the D answers, you enjoy imitation. The more your character mock others, the more you double over.

 


© 2005 Elizabeth Guy

OUR CURRENT CONTEST

FINALLY . . .  A Sample of Excellence

      

  

                                    Gangster Ethel
        Did you get any of them?

                Gangster Lucy
        I got two. A flat foot and a
        private eye. Got the eye in the
        foot and the foot in the eye.

 

 -  Jess Oppenheimer,
Madelyn Pugh and Bob Carroll, Jr.

 I LOVE LUCY show

 

 

 CONTACT / SUBSCRIPTION INFO

© 2005 ReadingWriters. All rights reserved. This ezine is a labor of love, and may not be reproduced without permission. All correspondence should be sent to Elizabeth Guy.

The VERB 

subscribe     unsubscribe
We do not give, rent or sell your email address to anyone.