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Santani
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haven't written anything in a while. I've been avoiding my
writing ezines and magazines. Things have been at a dead
stop. Today, however, I forced myself to read your ezine and
had a terrific time. What a great diversion. What a
terrific kick in the pants. You are to be commended for
consistently putting together something so helpful and
professional."
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just love your ezine. It's easy to read and highly
motivating."
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Carole Henderson
"I
really enjoyed reading The VERB this morning. Maybe it was because
Ray Charles had his songs wrapped around you as you wrote it.
Maybe it's because I have finally finished the last rewrite of my
novel and am ready to take the next step in the process of writing--submitting to an editor. Thank you. When the weather is gray
and oppressive, The VERB is a spot of sunshine."
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newsletter, different than all the others I get. It is wonderful. Always
refreshing, among a flood of writer sites, to find one that is truly
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got something special here. Don't let the dogs have it!"
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"Today,
I read The Verb. Then I wrote for an hour. May not sound like
much, but I have twins. Thanks for the encouragement!"
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Noodle reminds me of an old English professor: waggishly
grumpy."
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you for the writing tips. You guys are doing a good thing."
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newsletter, it gave me a boost when I wanted to slam my head in
the wall. Appreciate it."
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appreciate the precise brevity of The Verb. You're passing along
excellent tips while at the same time respecting the value of my
time."
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William Hosmer
"Thank
you for illustrating, time and time again, the beauty of pausing
before submitting."
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you know that your
e-mag is awesome! Great work!"
"Thanks
for helping me to approach my scenes in a whole new way."
-
Stephen Love
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writing advice you put into The Verb, and I appreciate the time
editors like yourself take to create such publications that are
helpful to so many."
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VERB, unlike
some other newsletters. When I
see it in my inbox, I open it right then and there!"
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Thanks!"
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\
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just what I need while editing the last in a saga of three novels I've
written over the last four years."
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"... Important lessons in such a
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"What a great
publication! It's so varied and interesting!"
Now that I'm
thawing out from a cold harsh winter, I'm having a difficult time
keeping my behind planted at my desk. I know I have work to do, but the
sun and the sky and the wind and the birds and the flowers won't leave
me alone. So, to celebrate this time of year, the issue before you is pure fun. If
something in here doesn't make you laugh, why, I'll give you a banana
Popsicle!
FOR YOUR FUN The Snooze -
Online comedy magazine that
started as a letter from Catherine Rubino--author, stand-up performer
and TV comedy writer.
Check
out James
S. Huggin's Refrigerator door. There's enough fun things here
to keep you reading for hours! After you've finished that scene, of
course.
Browse funny definitions of funny
words, and even submit your own at WitWords.
Finally, what writer
can resist the best word game of all? Go to Scrabble
Blast. Click "play online" and start forming words
immediately.
Now, without further
ado ... let the action begin!
Elizabeth Guy
Editor
The VERB
is published every
other Monday. It
is sent exclusively
to those who
requested and
confirmed a
subscription. To
manage yours,
please scroll down
to the bottom of
this ezine.
This issue was
published
under the
musical influence of
I see a calculator, a pair of scissors,
charts to keep track of the things that the charts below them
failed to keep track of, that the charts underneath did just as
poor a job at.
There are a few drawings and collages from
my three-year-old, some loose change (ever see tight change?), a
nail clipper (better than teeth!), a calendar for tracking my
hours, the satellite modem (which occasionally works).
And almost $4.76 of collected dust. Like
loose change, I never really cash in on the dust; once every
month or two I throw it all away.
In 1949,
longtime comedian Ed Wynn came down with a cold. As the star of NBC's The Ed Wynn
Show, he worried his medicine would make him forget his lines. Barney McNulty,
an usher at NBC, volunteered to help. He stayed up until 4 a.m. writing the show's entire script on
cardboard sheets so Wynn wouldn't miss a word. The next day, he also stood
beside the camera and flipped the cards.
Word
spread fast about this new "invention." Before long, Barney had
his own freelance cue card business called Ad-Libs. He found himself
providing the right line at the right time for all the top comedians of
the day, including Bob Hope, George Burns, Lucille Ball, Groucho Marx and Jimmy Durante.
He also cued John Wayne, Orson Welles, Fred Astaire, even vice president Hubert
Humphrey and poet Carl Sandburg.
When
Bob Hope flew abroad to entertain the troops, McNulty was right there with
him. He oversaw the transporting of 3,000 to 5,000 pounds of cue
(or "idiot") cards, putting the right ones aboard helicopters
for specific shows, and then flipping them in proper sequence. He
became a backstage fixture in Hope's
entourage, ready and willing to quickly print up
new cards to accommodate any sudden script changes.
By
the end of his career, McNulty had saved more than
100,000 of the used cards "because it's a continuing history of show
business."
Despite
the invention of the TelePrompTer, cue cards are still used today. Particularly
when performers don't wish to look directly into the camera.
"From the
moment I picked up your book until I laid it down, I was
convulsed with laughter. Some day, I intend reading it."
~ Julius
Henry Marx was born in New York City.
~ The third
child of five boys, Julius grew up in a poor but loving home.
His parents assumed opposite roles. Frenchie Marx, a
stay-at-home dad, worked inside the house as an unsuccessful
tailor. Minnie Marx worked outside the home as promoter for her brother, the famous
vaudeville comedian Al Shean.
~ Julius enjoyed
reading and writing, but he dropped out of grammar school. He also enjoyed a gifted singing voice. This trait
would lead
him to the stage.
~ In the
summer of 1905, Julius got his first job in show business as a boy soprano with the
Leroy Trio. Later, he joined Gus Edwards' Postal Telegraph
Boys at the Alhambra Theater in New York, performing in shows and revues.
~ Eventually,
four of his brothers joined the show, evolving into the vaudeville act known as the Marx Brothers.
Julius became the creative director, writer and front man of the
team.
~ There are
two versions of how Julius became "Groucho." One says it
came from his general disposition. Fed up with his early audiences,
he began to throw jokes and insults into the act, directly addressing the crowd in
a hilariously nasty manner. The other says it came from the Marx
Brothers' early days in vaudeville when he was keeper of the
act's money purse or "grouch-sack."
~ In 1920, Groucho married Ruth Johnson.
A year later, a son was born.
~ After
twenty years of touring the country, the Marx
Brothers found success with a musical comedy called
"I'll Say She Is." Audiences and critics loved the irreverent humor, the expert
pantomime, the wisecracks, the physical schtick, the outrageous
musical talent.
"Dad, the
garbage man is here."
"Tell him we don't
want any."
~ Once, when
Groucho couldn't find his prop mustache, he rapidly painted one on with
greasepaint. He kept the look ever afterward, despite efforts by
certain film directors to make him use a realistic
mustache.
~ Groucho suffered
from insomnia due to the financial loss he suffered in
the stock market crash. When he couldn't sleep, he used to
call people up in the middle of the night and insult them.
~
In 1930,
Groucho and his brothers moved to Hollywood. There, they made eleven movies.
~
During this time, Groucho and
Ruth divorced. He then married Kay Gorcey in 1945, and
they had a daughter together.
~
After the Marx's heyday, Groucho launched a career on radio and television
as the host of the comedy quiz show
"You Bet Your Life." The show flourished for fourteen
highly-rated seasons from 1947
to
1961.
"I would like to say good-bye to
your wife."
"Who wouldn't?"
~ In 1950,
Groucho and Kay divorced. Groucho married again a few years
later, but that marriage also ended in divorce.
~
Groucho
always considered himself a writer first, a comedian second.
Over the years he turned out several witty books and articles. He wrote
two autobiographies
Groucho and Me and
Memoirs of a Mangy Lover.
~ He
was gratified in the '60s when his book, The Groucho Letters,
was
installed in the Library of Congress--quite an accomplishment
for a man who never finished grade school.
~ Groucho
died of pneumonia at Cedars Sinai Medical Center at the age of
87. Due to the furor
over Elvis's death, three days earlier, the media paid little attention
to the passing of the comic genius. His ashes are
at Eden Memorial Park, San Fernando, California.
~ Shortly after his
funeral, Groucho's children found a letter he had forgotten to
give them. Turned out he wanted to be buried on top of Marilyn Monroe.
Plots are
created from a writer's imagination, but they should flow as if yanked
from reality. Point A should move to Point B which moves to Point C
and so forth. If this natural flow doesn't appear in our made-up
worlds, readers might suspect some awkward
plotting is going on.
Avoid building false suspense. If you
must delay a scene for another chapter, provide a believable
reason for it.
Example: Tammy felt her heart crumble along with the paper in her hands.
Barry in love
with another woman? Fine. She knew exactly what to do. Something he
would never expect. But it had been a long day. She would take a nap
first.
Cleaned up: Tammy felt her heart crumble along with the paper in her
hands. Barry in love
with another woman? She grabbed the phone, but then stopped herself.
No, this conversation had to be held face to face.
Example: "Chad got the footage!" Marla said, jumping up and
down. "We'll blow the lid off this case tonight!"
"Yes!" Mike jabbed the air a few times. "But first,
let's get a bite to eat!"
Cleaned up:
"Chad got the footage!" Marla said, jumping up and
down. "We'll blow the lid off this case tonight!"
"Yes!" Mike jabbed the air a few times. "Let's hit
it, people!"
The cheering crowd ran out to the van. But the cheers soon turned to
groans when, under the streetlight, they saw the flat tire.
Example:
There it was, in black ink. The marriage license had misspelled her name. Did this mean
Esther was married or not? She didn't know,
but she vowed to find out as soon as she finished cleaning up the
attic.
Cleaned up:
There it was, in black ink. The marriage
license had
misspelled her name. Did this mean Esther was married or not? She
vowed to find out now.
The third step, the one she had earlier told herself to avoid, gave
way beneath her foot and she tumbled down the stairs. When she
finally settled, her right foot rested at a most unnatural angle.
Uncertain
of a piece of your writing?
Send it to us
and we'll clean it up in a future
issue.
What's
obvious to you may not be obvious to your visitors. Whenever you receive
a "stupid" question, don't get irritated. Get busy clarifying
your site's content!
PREVIOUS SURVEY
Do you cull
crime-story ideas from the news?
Never - 30% Once or
twice - 68% All the time - 2%
"I
get an idea from the news, but by the time I remove all the parts that
could get me sued, I pretty much have another story." - Steve
Wick
"No,
that's cheating. I have to come up with the whole thing or it isn't
mine." - Donna Paschall
"I
haven't up to now, but you've given me ideas. Thanks!" - Roger
Alpirin
"As
for the method, yes, I've culled a few from the headlines. But the
people surrounding the crime is always original. Do you hear that,
lawyers? Original!" - Stella Malone
CHALKBOARD
Here's a chance to show off your
writing!
Send us an excerpt of which you are especially proud. If it's chosen, we'll publish it here in a future issue.
Approximately 500 words. Any genre. You, of course, retain all rights.
It will remain in The VERB archives until you ask us to remove
it.
Subject:
CHALKBOARD submission
(Feel free to include a bio.)
THE GREAT HILL PEOPLE by Gina R. Shongo
"Your
hair is sick; it’s heavy with filth, too heavy for your neck
to carry."
The first light of dawn began to penetrate the
thick boughs of Hemlock. A mist clung to the surface of Mother
Earth, reluctant to give up the night. Deganewidah walked in
moccasins scarred from many paths taken. He was dressed for the
chilly morning, long sleeves and leggings decorated here and there
with painted quills. His braids fell gracefully to his waist belt,
which was devoid of weapons of war. His eyes swept the landscape,
silently searching like the Skybird on a hunt.
He came upon a small pond, and spotted what he was searching for.
On the other side lay a prone body. He watched closely to make
sure the man was still breathing; he was. It was time to build a
fire.
He withdrew his pump drill, and carefully placed the foot of the
weighted spindle in a piece of dry driftwood. The top slid into a
greased socket chiseled into a palm-sized stone. A bow and slack
string were securely fastened to the spindle. Deganewidah twisted
the string and pressed down on the bow. The spindle began to wind
furiously. The dry driftwood soon ignited and he threw on some dry
grass. His efforts were rewarded with a tiny flame that he
transferred to a small fire pit.
He sat close to the warm flames, eyes ever watchful of the man
across the pond. He ceremoniously crossed his legs and removed his
parfleshe, from which he withdrew his wooden bowl and spoon, and
set them down on the earth. He placed several small, red stones
near the fire to absorb heat.
Next he withdrew several color-coded pouches of sacred medicine,
some were to burn to raise prayers to the ear of the divine, and
others were to heal. He separated these as such. A turtle rattle
was produced, and he slowly began a solemn chant.
A dark pillar of medicine-smoke rose into the sky, where the
Spirits of the Ancestors walked. He felt them look upon him. He
stood and filled his bowl with water from the pond, and added
sacred medicine. Carefully protecting his fingers with his
sleeves, he placed the heated rocks in the bowl and moved them
about.
As if on cue, the man across the pond stirred and weakly moaned.
Deganewidah removed the stones from the bowl, and slowly walked
around the pond, gingerly holding the mixture out in front of him.
He knelt down next to Atotarho. A flailing arm clamped onto him,
binding the two men together. Deganewidah pulled Atotarho to his
knees, and pressed the bowl to his lips. The man drank the bowl
dry, and then sat back on his haunches, head down, eyes closed.
"The m-m-medicine will help the pain in your head,"
Deganewidah said.
Atotarho dug his fingers into his temple and rubbed furiously.
"Who are you?"
"Deganewidah."
Atotarho squinted up at him. His eyes were rimmed in bright red,
his eyeballs a lighter shade of pink. "Long Braids, what do
you want from me?"
"I have medicine for the pain in your neck."
"I drank it. You can go now."
"What you drank was only a blanket. The real pain lies
beneath your skin--in your bones."
Atotarho stood, bones popping unnaturally. Deganewidah was pleased
to see the mild pain medicine begin to work. "It’s your
hair," he said.
Atotarho looked at him incredulously.
"Your hair is sick; it’s heavy with filth, too heavy for
your neck to carry."
"You followed me here to tell me to cut my hair?"
"And to tell you that the confederacy needs you. You alone
have the power to make the people as one."
"I have the power to annihilate them."
"They know that, and will not b-b-betray the council fire
that burns in your village, and it will never leave the
Onundagaono. Even The Great Hill People, whose numbers are many,
will strengthen us. We will stretch to the Great Waters and
b-b-beyond, one land, one n-nation."
Deganewidah expected more protest, but it didn’t come.
"And the council fire will never leave the Onundagaono."
"You will be Faithkeeper-Sachem, and all of those who follow
you will bear your name."
Atotarho felt his resolve slipping. His pain was minimal, and he
could think a bit clearer. The idea of gaining power through an
alliance was appetizing, more appetizing than standing in front of
Long Braids on shaky legs.
"Go back to the village. We’ll counsel tonight."
Long Braids remained silent. It was good. Atotarho reached for his
waist belt, and felt the lump of his knife. Long Braids nodded and
turned to leave. Atotarho caressed the knife and withdrew it.
"Before the council, you and I will meet in my lodge."
"I’ll be waiting," Long Braids said, and left the
grove.
Atotarho felt the edge of the blade. It was sharpened to
perfection. He grabbed a lock of stinking tangles, and sheared it
off down to the roots. He tested its weight, and quickly sliced
off another lock, then another, and another.
His scalp bare, he shook his head. It was lighter. This Long
Braids may not be a total fool after all. He chuckled loudly.
"Long Braids!" he shouted into the cool morning air.
"You combed the snakes out of my hair!"
Gina is a writer who became a
Speech-Language Pathologist after overwhelming advice to find a
paying job. Even though she loves her "job," she still
has these stories inside her screaming to get out. This excerpt
is from her first novel, "The Great Hill People," of
which she is on her umpteenth rewrite. But this time, it's for
an interested publisher.
These days, computers have become the preferred medium for most writers. With a few clicks of the mouse, we are able to delete, rewrite, cut and paste with a speed and ease never
imagined before with a typewriter, let alone pad and pen. But due
to the intimidating nature of this vast writing tool, some
of its benefits remain idle. Never fear! My husband Jim Guy,
a certified computer genius, is here to help.
I
can’t explain why Spring time and learning go together inside my
head, but they do. Since it’s decidedly Spring in our part
of the world, let me tell you about Microsoft’s training website
where they have very good free training materials. They also put
on incredibly helpful in-person seminars for a price.
Let
me introduce you to their training website for Office. Here’s
the link to the Microsoft Office training materials.
Today,
you may be looking for tips on using Word. Tomorrow, right after
you take a starter course on Publisher, you may be strolling
through the Spring Tulips. See how versatile they are on this
website?
I
was nosing around Microsoft looking up how to protect my Word
documents. I found this
link for
a short training course that shows how to lock my documents from
changes by others, how to scrub them clean from containing
personal information and hidden text or even how to keep people
from printing or distributing my document.
Tell
me as a writer that didn’t get your attention just a little.
No matter the genre, or the seriousness of
the topic, all writing can stand a sense of humor. It's a well-known fact
that laughter lowers the blood pressure and lifts the spirit. It can also
drive home a message quicker than a cleverly constructed sermon.
So how do you know whether you've written
something funny? Humor is subjective, so there's no tickling everyone. But
if you laugh, chances are very good that others will laugh as well.
And the type of humor that makes you laugh is probably the type in
which you will excel.
Take the quiz below to find your type of
humor.
1. Overworked Rick rushes to the curb to hail a
cab. Another fellow reaches the cab at the same time. How
do you make this funny?
a)
Rick knocks the fellow into a puddle, then climbs inside.
b) "Move it or die, pal!"
c) The ghost of Johnny Carson climbs up on the taxi's
hood and orders all traffic to stop.
d) Rick imitates the rude thoughts the
fellow must be thinking.
2. Bride Carolyn takes
her father's arm as she waits to walked down the aisle to a man she
doesn't love. How do you make this funny?
a)
Carolyn trips over her gown, sprains an important muscle and is rushed to
the hospital, the entire wedding party following.
b) "God help me, I'd rather marry the
florist. And he's gay."
c) Carolyn's bouquet begins to talk to her,
forcing her to run out of the church.
d) Carolyn reaches the altar, but mimics
the groom until he stops the ceremony.
3. Divorcing couple Wayne and
Nicole are locked in a closet. How do you make this funny?
a)
They rattle the doorknobs, try to climb the walls and step over each other
to get to the ceiling.
b) "So, Satan, how do you propose we
get out of here?"
c) The opposite wall slides open, revealing
a loud, flashing disco.
d) Assuming the other's characteristics,
they re-live the last days of their marriage.
4. Skater Katrina wakes in the
hospital and learns she has a broken leg. How do you make this funny?
a)
Katrina rolls out of bed, uses her arms to scoot down the hall and orders
the nurse to hand over her car keys.
b) "I want a second opinion."
c) Katrina's family pops out of the
bathroom, yells "Surprise! We actually broke your leg so we could
redecorate your kitchen!"
d) Katrina becomes her favorite TV doctor,
barking orders and overusing the word "Stat!"
5. New school bus driver Amy
gets lost in downtown traffic. How do you make this funny?
a)
Amy stops the bus, leaps over vehicles and runs for her life.
b) "Hold on, kiddies, and think of
Disneyland."
c) A nearby crane lifts the bus out of
traffic and carries it back to school.
d) Amy pretends she's Mr. Rogers, singing
songs and playing games until she finds a familiar street.
Slapstick ~ If
you chose the A answers,
you enjoy physical comedy. The more your characters move, the more you
laugh.
One-liners ~ If
you chose the B
answers, you enjoy
quick sarcastic quips. The more your characters shoot from the hip, the
more you smile.
Farce ~
If you chose the C
answers, you enjoy
absurd situations. The more your characters reach beyond the norm, the
more you're on the floor.
Parody ~ If
you chose the D
answers, you enjoy imitation. The more your character mock others, the
more you double over.