When you tell a story,
you are the authority figure. It's
your people, your prose, your pace and your plot. No one else will
ever know this fictional world as well as you. And every
sentence must reflect your mastery over the domain.
So
sit up straight, stick out your chest and sweep timidity from your prose. These
words are dead weight and make you sound unsure of your world.
EXAMPLE:
He almost had a head
of brown hair.
CLEANED UP:
He had a head of brown hair.
EXAMPLE:
It was supposed to be sunny, but it rained all day.
CLEANED UP:
Despite the sunny forecast, it rained all day.
EXAMPLE:
Whipple said he kind of
saw the gun in the trunk.
CLEANED UP:
Whipple said he saw the gun in the
trunk.
EXAMPLE:
He thought it seemed
she was joking.
CLEANED UP:
He thought she was joking.
EXAMPLE: It was sort of like
being back home again.
CLEANED UP:
It was like being back home again.
EXAMPLE: She presumed, even before she opened the door, that the woman
was somewhat eccentric.
CLEANED UP:
She presumed, even before she
opened the door, that the woman was eccentric.
OUR CURRENT
CONTEST
When
storytellers give us good guys, bad guys and
at least one conflict, we’re happy. But when
storytellers also give us a surprise—when they twist
suspenseful plots like salt-water taffy—we
hit our foreheads in awe. “Holy cow! I didn’t
see that coming!”
It’s a
thrill
readers never outgrow.
So tilt your perspective,
shake your plot and stretch your imagination. Give us a
thriller that highlights your skill with the element of
surprise.
Entry Fee:
Zip
Prize:
$100,
publication in The VERB and a signed copy of
Lee Child's
thriller,
Persuader
Nine o'clock
was an early hour for a visit, but
Selden had passed beyond all such conventional observances. He
only knew that he must see Lily Bart at once—he had found the
word he meant to say to her, and it could not wait another
moment to be said. It was strange that it had not come to his
lips sooner—that he had let her pass from him the evening before
without being able to speak it. But what did that matter, now
that a new day had come? It was not a word for twilight, but for
the morning.
Selden
ran eagerly up the steps and pulled the
bell; and even in his state of self-absorption it came as a
sharp surprise to him that the door should open so promptly. It
was still more of a surprise to see, as he entered, that it had
been opened by Gerty Farish—and that behind her, in an agitated
blur, several other figures ominously loomed.
"Lawrence!"
Gerty cried in a strange voice, "how
could you get here so quickly?"—and the trembling hand she laid
on him seemed instantly to close about his heart...
In silence
they mounted the three flights, and
walked along the passage to a closed door. Gerty opened the
door, and Selden went in after her. Though the blind was down,
the irresistible sunlight poured a tempered golden flood into
the room, and in its light Selden saw a narrow bed along the
wall, and on the bed, with motionless hands and calm
unrecognizing face, the semblance of Lily Bart.