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Tired
of writing stories and having people read them? Fed up with winning
contracts, contests and compliments for the words you choose? Sick of
telling people what you do for a living and having them stare in awe?
You don’t have to put up with
this abuse any longer. Fight back! Learn the tactics, kinda based on Sun
Tzu’s masterpiece, The Art of War, that will get readers off your
back once and for all.
TOP TEN
WAYS TO LOSE YOUR READERS
1. Give them an
unsympathetic protag. The last thing you want is readers rooting for
the lead character, caring about her predicament. Be forewarned, if you
use that maneuver, you’ll never get rid of those pesky perusers. Always
opt for the laziest, the vilest, the shallowest person you can conjure.
And have her spit a lot.
2. Make them re-read every
sentence. Let’s be clear: it’s deadly to be clear. Your readers are
desperate to understand the people and the world you’ve created. If you
describe these things in smooth, concise statements, you might as well
call yourself a writer. Don’t be afraid to employ run-on sentences, to
vary tenses, to switch names, to omit punctuation, to leap in and out of
POVs like a frog on crack. Oh, and don't forget to slip into another
language now and then, just to keep them on their toes.
3. Load them up with
backstory. What’s going on with Joe Blow from Idaho right now? Who
cares? Go back ten, twenty, fifty years. Start at the time he slipped
from the womb and cover every aspect of his life up to the current
moment. That’ll teach 'em.
4. Steer clear of conflict.
Remember, you don’t want no trouble. Run from it. Deny its
existence. Stuff it under the rug. To confront it is to encourage
excitement, curiosity and edge-of-the-seat anticipation. Bad, bad
elements.
5. Drown them with clichés.
Overused phrases are boring and predictable. The perfect
combination! At all costs, avoid the urge to hover your fingers over the
keyboard until the brain turns a new phrase. Type the first thing that
comes to mind. And quickly. The less thought applied to it, the better.
6. Stand still. Make
sure characters remain in the same place as long as possible. Have them
stare, gaze, look and peer for hours on end. Then have them think,
study, analyze, weigh, ponder and wonder for, oh, at least another
chapter.
7. Climb up on a soapbox.
Nobody likes to be preached to. So you know what to do.
8. Get lost. A plot is
the obstacle-ridden path a character takes to accomplish her goal.
Yours, therefore, should consist of unbelievable coincidences, illogical
motivations, Divine Intervention or anything else that doesn’t seem
remotely feasible within the confines of the story. Bad plotting run
amok. Brilliant!
9. Fall in love with the
sound of your words. Don't act out a single scene. Summarize,
summarize, summarize. If it’s heard, felt, tasted, seen or spoken, wrap
it up in a neat little package of narrative and kick it to the curb. The
minute you let your readers into the room, experiencing stuff firsthand,
you are screwed. They're not leaving.
10. Never end the thing.
If you do decide to include a resolution to the major conflict, don't,
for the love of Mike, end it soon afterward. No, follow that lead
character around for another decade or so just for the heck of it. And
then tack on a thick Epilogue for good measure.
Enact
this strategy, and soon readers will hurl your writings across the room,
groaning in defeat. Obscurity is yours!
©
2009 Elizabeth Guy
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