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THE REVELATION
by
Lilia Westmore
At
the second week of her absence, I yearned to hear the click of her
needles. She was company for me at this desolate place, even if we
didn’t speak.
I noticed her today for the
first time. One headstone separated us. Click, click, click,
click. I realized she was knitting! The needles clicked against
each other, rushing, rushing, faster and faster, racing against an
imaginary bullet train. Except for the rush of the needles and the
echoes of the clicks, silence pervaded the place.
But the woman knitted like there existed no tomorrow, her needles
practically flew. She sat straight-backed on her folding chair,
revealing the long slim legs of a dancer. The tight set of her jaw
indicated tension she endeavored to hide as she stared at the
headstone in front of her. Her long eyelashes curved upward
without a flicker, complemented by her brownish hair that fell to
her shoulders in curls. She wore a white jumpsuit and a pair of
purple tennis shoes on her size five feet.
The scene brought back memories of typing lessons in my freshman
year in high school. I keyed five words per minute on the
typewriter. When I got bored doing the exercises, I played the
piano on it in a slow staccato click. It was slow going. By the
time I got to my senior year, my typing had progressed to 80 words
a minute.
The next day I hoped to catch her attention. She ignored me
completely. She just clicked away. I practically burned with
curiosity. It was frustrating.
The third day she arrived minutes ahead of me. I coughed as I
passed her. But she neither stirred nor turned her head. She
carried on clicking. I hesitated for a second but out of decency,
I decided not to approach her.
For a whole week she sat with her knitting without a hint that she
knew I existed. I didn’t hear her footsteps, although I strained
extra hard to detect her arrival. Had it not been for the clicking
of her needles, I would've been alone.
I waited for her the following day, watched the road, hoping to
catch her attention before she started her knitting. The day
turned to early evening. But still she didn’t come. For a whole
week she stayed away.
At the second week of her absence, I yearned to hear the click of
her needles. She was company for me at this desolate place, even
if we didn’t speak. I wished then I had taken the courage to
talk to her. A simple “Hi” may have broken the barrier between
us.
The third week came with wispy dark clouds in the eastern sky. As
I passed her headstone, I noticed a new one beside hers. I stopped
to read the inscription: “This 5th day in October, Marisa passed
away with a broken heart and lies here next to her only beloved
son.”
A breeze enveloped me and shook every fiber of my being as beads
of cold sweat formed on my brow. That was the very first day I
noticed her clicking away in front of the headstone.
©
2006 Lilia Westmore
Lilia
is a grandmother, residing in Sacramento, California. She writes
fiction, nonfiction, poetry, and essays. She hopes to write a
children's book one day.
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