Oh, hello there.
I am Professor Write-A-Lot
and I now possess this corner of The VERB because I know everything
about writing.
See, I have a stick. Only those who know everything about writing are allowed a stick.
Do come in. Please
ignore the scattered manuscripts, step over the stacked books and avoid
the dog's bone. One has a question, does one? Very well. Ask away,
and I shall share my brilliance!
Dear
Professor Write-A-Lot,
I've got
this important character in my story who's a cop. But I'm not a cop and
I don't know any cops. Because of this, I'm having a hell'va time with
his dialogue. What does he say to other cops when he comes up on a guy
with a gun? Or what does he say when he's being shot at? Do you know of
any place I could go to get genuine cop radio dialogue?
One
could tune in to the unscripted reality show COPS. Cameras record men and women of law enforcement in the line of duty. One
would quickly see that when a police officer is in a state of emergency,
he does not waste time with words. Lives are at stake. If he finds
himself at the business end of a gun, he will not take the time to
describe it. He will typically shout, "Gun!" If an officer is shot, he
will typically announce, "Shots fired! Officer down!" This immediately tells the
dispatcher, and officers in the area, a comrade is in serious trouble.
But this ignores the larger picture. One must remember, dear
storyteller, that before the police officer becomes a police officer, he
is a human being. Begin there. Once one knows the man behind the badge,
one will know exactly how he will speak under all circumstances.
For further research into the world of law
enforcement,
visit this forum
and
this forum.
Dear
Professor Write-A-Lot,
When is it
important to worry about tense?
The
moment one commences writing. A storyteller must decide at the
outset whether one will tell the story in present, past or, heaven
forbid, future. To vary this creates reader confusion.
Dear
Professor Write-A-Lot,
If I lose a
writing contest, should I contact the judges and thank them all the
same?

Such a courtesy is neither necessary nor expected. Such a courtesy,
however, is always appreciated. Follow one's heart.
Dear
Professor Write-A-Lot,
How do I write "my wife's ex-mother-in-law's
wedding gown" without sounding all awkward and stuff. Thanks!
A
few choices: It
was the wedding gown of my wife's ex-mother-in-law.
My wife's wedding gown came from her
ex-mother-in-law.
"Oh, Gertrude, your gown is beautiful."
"Thanks. Tallulah gave it to me."
"Who?"
"My ex-mother-in-law."
Dear
Professor Write-A-Lot,
I'm always struggling with actions. Look at this
excerpt, please. What would you suggest to make it sound, or maybe flow,
better?
Lieutenant Richard Hurley
stared into the cracked mirror as he stroked the goatee that hid the
scar on the left end of his chin. He smiled as he looked closely at his
teeth, then stepped back as he admired his clean blue uniform as well as
his flashing scabbard and his knee-high boots.
Captain Baldwin walked
in, grinning as he stood behind him. "Are you sure that you know what
you're doing?"
Richard
glanced at him through the mirror as he combed his hair. "Why do you ask
that? What happened?"
"That old man in the
rocker in the living room, Pappy?" Baldwin said as he grabbed a chair
and threw his leg over it. "He thinks we're here to conquer his
chickens."
Richard laughed as he
straightened his hat and put on his gloves. "Never mind the crazy old
man. Will she see me?"
One
immediately notices the proliferation of the conjunction as, used
here to connect two or more activities. Unless these men turn out to be
circus acts, or two one-man bands, their actions need not always occur
simultaneously.
Slow down. Utilize periods
and commas. These marks subliminally convey to the reader that one
action follows another.
To wit:
Lieutenant Richard Hurley stared into the
cracked mirror. He checked his teeth, stroked the goatee over the scar
on his chin. A step back, he admired his clean blue uniform, flashing
scabbard, knee-high boots.
Captain Baldwin walked in, grinning. "Are
you sure you know what you're doing?"
"What happened?"
"That old man, Pappy?" Baldwin threw his
leg over a chair. "He thinks we're here to conquer his chickens."
Richard laughed as he straightened his
hat. "Never mind the crazy old man. Will she see me?"
Ask
Professor Write-A-Lot!
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